【摘要】：在中華民族的發(fā)展進(jìn)程中，傳統(tǒng)節(jié)日蘊含著豐富的文化內(nèi)涵。七夕節(jié)作為一個歷史悠久的節(jié)日，隨著社會的發(fā)展，以乞巧為主要民俗活動的七夕節(jié)已經(jīng)不能滿足現(xiàn)代民眾的精神需求，它由于所依附的牛郎織女愛情故事被很多人稱為“中國的情人節(jié)”。雖然七夕節(jié)存在許多的愛情元素，但是我們也不能單純的把它作為“情人節(jié)”來繼承發(fā)展。本文追溯七夕節(jié)的起源發(fā)展，再聯(lián)系它的現(xiàn)代轉(zhuǎn)型，力求使其在不失去本身蘊含的文化內(nèi)涵的前提下，更好的發(fā)揮應(yīng)有的倫理文化作用。 緒論部分介紹選題緣由以及研究意義，概述牛郎織女傳說，有關(guān)七夕文化的文獻(xiàn)記載及國內(nèi)對七夕文化的相關(guān)研究。 第一章介紹傳統(tǒng)七夕節(jié)的形成和發(fā)展，主要從三個時期介紹：第一個時期是兩漢之前，七夕節(jié)的萌芽時期；第二個時期是在兩漢時期，七夕節(jié)俗得到了進(jìn)一步的發(fā)展，，牛郎織女傳說也逐步完善；第三個時期是兩漢之后，七夕節(jié)俗與牛郎織女傳說開始交匯，七夕節(jié)在元明清時期最終成熟。 第二章分析七夕節(jié)情感因素發(fā)展受限的原因。主要從三個方面來分析：第一，七夕節(jié)從產(chǎn)生之初就與愛情無關(guān)；第二，七夕節(jié)與西方情人節(jié)不同，西方情人節(jié)具有只表現(xiàn)愛情的單一性質(zhì)，而七夕是一個綜合性的節(jié)日，它蘊含除了愛情之外的其他豐富的文化內(nèi)涵；第三，儒家思想對七夕節(jié)的影響，使七夕節(jié)蘊含多種民族精神。 第三章展現(xiàn)七夕節(jié)的現(xiàn)代轉(zhuǎn)型。收集了現(xiàn)代社會中，民眾對七夕節(jié)的看法及慶祝方式，發(fā)現(xiàn)在現(xiàn)代社會中，民眾存在把七夕節(jié)視為中國愛情節(jié)的傾向。根據(jù)這種現(xiàn)象，從內(nèi)部和外部兩方面分析七夕節(jié)向情人節(jié)轉(zhuǎn)變的原因。
[Abstract]:In the development of the Chinese nation, traditional festivals contain rich cultural connotations. Qixi Festival Festival, as a festival with a long history, with the development of society, Qixi Festival Festival, which takes begging as the main folk custom activity, can no longer meet the spiritual needs of the modern people. It is called "Chinese Valentine's Day" by many because of the love story of its cowherd Weaver. Although Qixi Festival has many love elements, but we can not simply as "Valentine's Day" to inherit the development. This paper traces back to the origin and development of Qixi Festival's Festival, and then connects with its modern transformation in order to make it play its due role of ethical culture without losing its own cultural connotation. The introduction part introduces the reason and significance of the topic, summarizes the legend of Niulang Weaver, the literature about Qixi Festival culture and the related research on the Chinese culture of Qixi Festival. The first chapter introduces the formation and development of the traditional Qixi Festival Festival, mainly from three periods: the first period is the budding period before the Han Dynasty, and the second period is during the Han Dynasty. The third period was after the Han Dynasty, when Qixi Festival festival customs began to intersect with Niulang Weaving Girl Legends, and Qixi Festival Festival matured in Yuan, Ming and Qing dynasties. The second chapter analyzes the reasons for the limited development of Qixi Festival's emotional factors. It is mainly analyzed from three aspects: first, Qixi Festival's Day has nothing to do with love from the very beginning of its birth; second, rather than western Valentine's Day, the Western Valentine's Day has a single nature that only expresses love, and Qixi Festival is a comprehensive festival. It contains other rich cultural connotations besides love. Third, the influence of Confucianism on Qixi Festival Festival, which makes Qixi Festival festival contain a variety of national spirits. The third chapter shows the modern transformation of Qixi Festival Festival. This paper collects the views and celebrations of Qixi Festival Festival in modern society, and finds out that in modern society, there is a tendency to regard Qixi Festival Festival as Chinese Love Festival. According to this phenomenon, from the internal and external aspects of the analysis of Qixi Festival Festival to Valentine's Day.
【學(xué)位授予單位】：中南民族大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：K892.18

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