【摘要】：2006年,喀什傳統(tǒng)土陶手工藝被收入新疆維吾爾自治區(qū)級和國家級非物質(zhì)文化遺產(chǎn)名錄,但隨著社會經(jīng)濟與文化的迅速發(fā)展,土陶器在人們生活中使用的越來越少,從事土陶制作的手藝人也因收入微薄和職業(yè)病等原因?qū)е律a(chǎn)土陶器的數(shù)量驟減,年輕人不愿意學(xué)習(xí)土陶制作,甚至不會把這門手藝作為職業(yè),種種原因致使傳統(tǒng)土陶手藝瀕臨失傳。 本文對喀什市高臺民居的民間彩陶手藝人艾尼瓦爾兄弟、吐爾遜塔瓦克進行了五次訪問,拍攝了大量現(xiàn)場資料,在此基礎(chǔ)上對喀什民間土陶工藝的傳承提出自己觀點。 全文共分五個部分： 一,引言。 二,喀什維吾爾族民間彩陶工藝的歷史與現(xiàn)狀。概括和評述彩陶工藝的源流和瀕�，F(xiàn)狀。 三,土陶世家訪談錄。通過與手藝人的交談,進一步了解彩陶工藝以及手藝人的生活現(xiàn)狀。 四,維吾爾族民間彩陶工藝技術(shù)。在這一部分,詳盡介紹彩陶工藝技術(shù)的原材料及注意事項、制作所需器具、上色技術(shù)和陶器種類。 五,維吾爾族民間彩陶工藝發(fā)展的困難及對策。就如何保護這一面臨失傳的珍貴文化遺產(chǎn)、如何培養(yǎng)新一代土陶工藝傳承人,使其能夠繼續(xù)傳承和發(fā)展,提出一定的對策。
[Abstract]:In 2006, Kashi traditional pottery handicrafts were included in the Xinjiang Uygur Autonomous region level and national intangible cultural heritage list, but with the rapid development of social economy and culture, the use of earthen pottery in people's lives is becoming less and less. Craftsmen engaged in earthenware production have also suffered from a sharp decline in the number of earthenware products due to meagre income and occupational diseases. Young people are unwilling to learn to make earthenware, and they will not even regard this craft as a profession. For various reasons, the traditional earthenware technique was on the verge of being lost. This paper makes five visits to the folk painted pottery craftsman of Gaotai residence in Kashgar City, the brother Eniware and Turshontawak, and takes a lot of field data. On this basis, the author puts forward his own views on the inheritance of Kashi folk pottery technology. The full text is divided into five parts: first, introduction. Second, the history and present situation of Kashgar Uygur folk pottery technology. The origin and endangered status of colored pottery technology are summarized and reviewed. Third, the earth pottery family interview. Through the conversation with the craftsman, learn more about the pottery craft and the living condition of the craftsman. Fourth, Uygur folk pottery technology. In this part, the raw materials and precautions of the technology, the equipment needed for making, the coloring technology and the types of pottery are introduced in detail. Fifth, the difficulties and countermeasures of the development of Uygur folk pottery technology. This paper puts forward some countermeasures on how to protect this precious cultural heritage facing loss and how to cultivate a new generation of inheritors of earthenware craft so that they can continue to inherit and develop.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J527

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 李曉瑜;新疆民族裝飾藝術(shù)審美心理追溯[D];中央美術(shù)學(xué)院;2013年

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本文編號：2166042