發(fā)布時(shí)間：2018-06-20 22:38

  本文選題：花釉 + 裝飾工藝��； 參考：《清華大學(xué)》2013年碩士論文

【摘要】：花釉是在坯體上施兩種或兩種以上的釉，通過(guò)不同釉層的施釉方法、釉層厚度和燒成溫度等的不同形成各種富有變化，相互交融自然流淌的釉面效果�；ㄓ栽谔拼呀�(jīng)出現(xiàn)宋代有所發(fā)展到了現(xiàn)代20世紀(jì)七、八十年代以山東淄博，江蘇宜興等為代表的瓷區(qū)在花釉創(chuàng)新方面有了突破，花釉品種多樣�；ㄓ宰鳛轭伾灾凶兓钬S富，獨(dú)具特色的藝術(shù)效果，被廣泛應(yīng)用到陶藝及壁飾創(chuàng)做中。 研究的目的在于承襲和弘揚(yáng)中華民族優(yōu)秀的陶瓷文明,并使之效勞于理想社會(huì),順應(yīng)現(xiàn)代人的生活和審美需求,使創(chuàng)作出的藝術(shù)品既具現(xiàn)代文明氣息,同時(shí)又堅(jiān)持了傳統(tǒng)陶瓷文明的特征。 理論研究結(jié)合創(chuàng)作實(shí)踐，本文從花釉的歷史發(fā)展及應(yīng)用現(xiàn)狀、裝飾手法及藝術(shù)效果方面.對(duì)花釉做一理論研究，并結(jié)合試片試驗(yàn)，掛盤(pán)、陶板壁畫(huà)創(chuàng)作對(duì)花釉.裝飾工藝做一探索實(shí)踐，對(duì)實(shí)驗(yàn)及創(chuàng)作出現(xiàn)的問(wèn)題進(jìn)行思考，提出解決辦法，對(duì)今后的教學(xué)及創(chuàng)作實(shí)踐會(huì)有很大的幫助，相信花釉在未來(lái)的應(yīng)用發(fā)展空間會(huì)很大。
[Abstract]:Flower glaze is to apply two or more kinds of glaze on the green body, through different glaze layer glaze method, the glaze layer thickness and firing temperature are different to form various kinds of varied glaze surface effect, which blends naturally with each other. Flower glaze has appeared in the Tang Dynasty and Song Dynasty has developed to the modern 20th century in the seventies, 80's with Shandong Zibo, Jiangsu Yixing as the representative of the porcelain areas in the flower glaze innovation has a breakthrough, the variety of flower glaze is diverse. Flower glaze, as the most varied and unique artistic effect in color glaze, is widely used in pottery and wall decoration. The purpose of the study is to inherit and carry forward the excellent ceramic civilization of the Chinese nation, to make it serve the ideal society, to conform to the life and aesthetic needs of modern people, and to make the works of art created have the flavor of modern civilization. At the same time, it adheres to the characteristics of traditional ceramic civilization. Combining theoretical research with creative practice, this paper discusses the historical development and application of flower glaze, decoration techniques and artistic effects. To do a theoretical study of the glaze, and combined with the test film test, hanging plate, pottery plate murals to create the glaze. It is believed that the application and development of flower glaze in the future will be of great help to the teaching and creative practice in the future by exploring the practice of decoration, pondering over the problems in experiment and creation, and putting forward solutions.
【學(xué)位授予單位】：清華大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J527

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 陳巍;;唐宋鈞瓷藝術(shù)的演變[J];美術(shù)大觀;2013年05期

2 邱鎮(zhèn)滬;;“曜變天目”金錢(qián)花釉藝術(shù)瓷——2008年淄博陶瓷博覽會(huì)亮麗風(fēng)景線[J];陶瓷科學(xué)與藝術(shù);2008年09期

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本文編號(hào)：2045928