本文選題：山西面塑 + 造型　； 參考：《太原理工大學(xué)》2012年碩士論文

【摘要】：千百年來(lái),面塑藝術(shù)在中國(guó)黃河流域特別是山西村落中流傳甚廣,是紅白喜事、傳統(tǒng)節(jié)慶祭祀、饋贈(zèng)的珍貴藝術(shù)品。面塑藝術(shù)作為民俗文化的一種美術(shù)表現(xiàn)形式,與人們的生活、習(xí)俗、信仰、崇拜有著極為密切的關(guān)聯(lián)。山西面塑造型拙中藏巧、樸中顯美,繁多的造型樣式中蘊(yùn)含了豐富的想象力以及粗獷卻不粗糙、裝飾精細(xì)卻不冗繁的風(fēng)格特點(diǎn)。山西面塑藝術(shù)以其特有的裝飾風(fēng)格和民俗語(yǔ)言,幾千年來(lái)在民俗活動(dòng)中傳承延展,作為民俗文化的載體和媒介,表達(dá)了人們對(duì)理想生活的向往和祈愿,對(duì)生存和繁衍的渴望和對(duì)生命的贊頌,傳遞了民俗形式的文化意蘊(yùn)。 論文以實(shí)地調(diào)研考察和文獻(xiàn)資料研究等方法相結(jié)合,對(duì)山西面塑藝術(shù)的發(fā)展脈絡(luò)、造型裝飾風(fēng)格及其文化內(nèi)蘊(yùn)進(jìn)行研究和分析,探求山西面塑的藝術(shù)形態(tài)的本原哲學(xué)觀念和民俗文化內(nèi)涵,探討民間面塑藝術(shù)與民俗文化、民俗生活的關(guān)聯(lián),同時(shí)通過(guò)透視和剖析代表性的面塑造型,明白其裝飾的動(dòng)機(jī)和目的。論文的探討將對(duì)山西面塑藝術(shù)的傳承和發(fā)展作出思考。 論文以山西民間面塑造型的風(fēng)格、元素等內(nèi)容的闡述展開,進(jìn)而通過(guò)對(duì)面塑造型符號(hào)的象征性、民俗寓意的分析,揭示山西面塑內(nèi)蘊(yùn)的民俗文化內(nèi)涵,并對(duì)民俗文化及面塑藝術(shù)的傳承提出思索。第一章為緒論部分,介紹研究目的、意義及研究方法。第二章概述山西面塑藝術(shù)的產(chǎn)生、分布及發(fā)展脈絡(luò)。第三章具體分析山西民間面塑藝術(shù)的造型元素及裝飾風(fēng)格,分析常見(jiàn)的造型類別,在此基礎(chǔ)之上,提出民俗文化、符號(hào)、寓意符號(hào)、象征的概念,探討面塑造型中寓意符號(hào)的運(yùn)用,包括表號(hào)、諧音、象征等方法的使用。第四章分析面塑造型當(dāng)中蘊(yùn)含的本原哲學(xué)觀念,包括原始宗教與原始崇拜、根深蒂固的生殖觀念、陰陽(yáng)和五行色彩觀念、原始神話和傳說(shuō)等因素。第五章通過(guò)對(duì)民俗心態(tài)的分析,通過(guò)民俗事項(xiàng)的例證,對(duì)山西不同民俗禮儀中的面塑制作及造型作了詳細(xì)介紹,并分析了它們所蘊(yùn)含的民俗內(nèi)涵,從求吉納福、驅(qū)災(zāi)避害等民俗生活理想角度探析。第六章總述面塑藝術(shù)與民俗文化的關(guān)系,民俗活動(dòng)是面塑藝術(shù)賴以生存的基礎(chǔ),同時(shí),面塑藝術(shù)也豐富和傳播了民俗文化,具有象征寓意的面塑造型內(nèi)蘊(yùn)著豐富的民俗文化內(nèi)涵,而這種內(nèi)涵正是民間面塑藝術(shù)傳承和發(fā)展的內(nèi)在動(dòng)力。 論文在田野調(diào)查的基礎(chǔ)上,對(duì)所積累的材料進(jìn)行歸納、綜合,選擇有代表性的個(gè)案作解剖、分析,通過(guò)橫向、縱向地比較引導(dǎo)研究走向深入,試圖進(jìn)一步探討面塑這一民間美術(shù)形態(tài)的民俗文化內(nèi)涵。
[Abstract]:For thousands of years, the art of facial sculpture has been widely spread in the Yellow River valley, especially in Shanxi villages. As an art form of folk culture, plastic art is closely related to people's life, custom, belief and worship. Shanxi surface plastic modeling in a subtle, simple and beautiful, a variety of modeling style contains rich imagination and rough but not rough, fine decoration but not redundant style characteristics. With its unique decorative style and folk language, Shanxi noodle sculpture art has been spreading in folklore activities for thousands of years. As the carrier and medium of folklore culture, it expresses people's yearning for and wish for their ideal life. The desire for survival and reproduction and the praise of life convey the cultural meaning of folk form. Based on the methods of field investigation and literature research, this paper studies and analyzes the development of Shanxi facial plastic art, the style of modeling and decoration and its cultural connotation. This paper probes into the original philosophical concept and the connotation of folk culture of the art form of Shanxi dough sculpture, probes into the connection between folk plastic art and folk culture and folk custom life, and at the same time, through the perspective and analysis of the representative surface plastic modeling, Understand the motive and purpose of the decoration. The discussion of this paper will reflect on the inheritance and development of Shanxi noodle sculpture art. This paper starts with the style and elements of Shanxi folk plastic modeling, and then reveals the connotation of Shanxi's folk culture by analyzing the symbolism and folklore implication of the opposite moulded symbols. And to the folk custom culture and the surfacing sculpture art inheritance proposed the ponder. The first chapter is the introduction, which introduces the purpose, significance and research methods. The second chapter summarizes the appearance, distribution and development of Shanxi noodle sculpture art. The third chapter analyzes the modeling elements and decorative styles of Shanxi folk plastic arts, and analyzes the common modeling types. On this basis, it puts forward the concepts of folk culture, symbols, etc. This paper discusses the application of symbolic symbols in plastic modeling, including the use of table number, homophony, symbolism and so on. The fourth chapter analyzes the original philosophical concepts contained in the plastic modeling, including primitive religion and primitive worship, deep-rooted reproductive concepts, Yin and Yang and five elements of color concepts, primitive myths and legends, and so on. The fifth chapter through the folk custom mentality analysis, through the folk custom matter example, has made the detailed introduction to the Shanxi different folk custom etiquette in the noodles plastic making and the modelling, and has analyzed the folk custom connotation which they contain, from asks for the Ginafu, The ideal angle of folklore life such as avoiding disaster and avoiding disaster. Chapter VI describes the relationship between facial sculpture art and folk culture. Folklore activities are the basis for the survival of facial sculpture art. At the same time, facade sculpture art also enriches and spreads folk culture. The figurative modeling with symbolic meaning contains rich folk culture connotation, which is the inherent motive force for the inheritance and development of folk plastic arts. On the basis of field investigation, the paper sums up and synthesizes the accumulated materials, selects representative cases for dissection, analyzes, and guides the research into depth through horizontal and vertical comparison. Try to further explore the folk culture connotation of the folk art form.
【學(xué)位授予單位】：太原理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J528.4

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