本文選題：葉玄卿 + 方于魯��； 參考：《中國(guó)書(shū)法》2013年10期

【摘要】：正明代制墨手工業(yè)得到空前發(fā)展,在安徽形成了制墨手工業(yè)的中心,休寧、婺源、歙縣形成不同風(fēng)格的制墨流派,制墨名家輩出,有以世代制墨為生。明嘉靖時(shí)期,以方正、邵格之、羅小華等為代表,均用油煙制墨;萬(wàn)歷時(shí)期,以程君房、方于魯、葉玄卿、汪春元等最具代表,發(fā)明了用"桐油煙"和"漆煙"制法,并廣泛流行,其墨品均有充貢內(nèi)廷。明晚期又出現(xiàn)成套叢墨,即"集錦墨"形式,文人監(jiān)制墨品等成為一時(shí)風(fēng)尚。對(duì)后世頗有影響。明代墨品制作奇巧,集多種工藝技法施于一身,除本色墨以外,還出現(xiàn)了一些漱金或描金彩繪的墨品,不僅注重實(shí)
[Abstract]:In the Ming Dynasty, the ink making handicraft industry was developed unprecedentedly. In Anhui, the center of the ink making handicraft industry was formed. Xiuning, Wuyuan and Shexian formed different styles of ink making schools. During the period of Jiajing in the Ming Dynasty, Fang Zheng, Shao GE Zhi and Luo Xiaohua were all used to make ink with oil fumes. During the Wanli period, the most representative of them were Cheng Junfang, Fang Yu Lu, Ye Xuanqing, Wang Chunyuan, and so on, who invented the "Tong oil fume" and "lacquer smoke" making methods. And the widespread popularity of its ink are filled with tribute to the court. In the late Ming Dynasty, complete sets of ink appeared again, that is, the form of "Jinjin ink", the literati supervision of ink products became a fashion. It has an influence on later generations. In the Ming Dynasty, ink products were made with a variety of techniques and techniques. In addition to the original color ink, there were some ink products that gargled gold or painted gold, and not only paid attention to the real.
【分類(lèi)號(hào)】：K875.4
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本文編號(hào)：1999710