本文選題：柳編藝術(shù) + 創(chuàng)造��； 參考：《昆明理工大學(xué)》2012年碩士論文

【摘要】：“使用自然材料是一種趨勢,因為自然就是未來�！�2010年上海世博會西班牙國家館的設(shè)計者塔格里阿布埃這樣告訴我們。當(dāng)今時代科學(xué)技術(shù)高速發(fā)展,社會環(huán)境變化劇烈,可持續(xù)發(fā)展是從人類社會連續(xù)發(fā)展的過程著眼,提出了資源有效利用、優(yōu)化環(huán)境、促進社會與經(jīng)濟發(fā)展的一種良性循環(huán)發(fā)展模式。從莊子“道法自然,返璞歸真”的自然主義和諧到孔孟的“盡心知性”、“與天地參”的倫理主義和諧,人與自然平等和諧的“天人合一”的思想一致延續(xù)至今,通過闡明人與自然關(guān)系的重要性,明確自然資源的可持續(xù)力,使人類經(jīng)濟活動合乎理性,形成人類社會與生態(tài)環(huán)境之間的良性循環(huán),做好資源的永續(xù)利用,創(chuàng)造更好的生態(tài)環(huán)境。隨著文明的進步、時代的發(fā)展,可持續(xù)發(fā)展的思想也被賦予了更為廣闊深遠的含義,而作為中國傳統(tǒng)民間藝術(shù)之一的柳編就是一種可以運用在諸多領(lǐng)域的環(huán)保的自然的材料,曾今被人們發(fā)現(xiàn),又被人們遺棄,如今柳編藝術(shù)的發(fā)展面臨著很多困難,對于柳編藝術(shù)在未來的時間內(nèi)是否能夠復(fù)蘇,怎樣復(fù)蘇,怎樣持續(xù)健康的發(fā)展,并且孕育出新的藝術(shù)空間,筆者認為具有很高的研究價值。 本論文以“中國柳編之鄉(xiāng)”——河南固始縣三河尖為切入點,通過對固始柳編的形成背景、生產(chǎn)工藝、編織工藝進行研究,深入挖掘固始柳編的文化內(nèi)涵,從而對固始柳編的發(fā)展過程有一個完整的系統(tǒng)的總結(jié)；對固始民間柳編的藝術(shù)的社會實用性進行分析,包括探討其美學(xué)藝術(shù)價值和市場發(fā)展價值；通過對固始柳編藝術(shù)相關(guān)的類比分析,為固始柳編藝術(shù)的發(fā)展找到創(chuàng)作的源泉；對固始柳編在現(xiàn)代藝術(shù)設(shè)計運用中的可能性進行研究,并且對在現(xiàn)代社會發(fā)展的趨勢下,固始柳編的可持續(xù)發(fā)展進行深刻思考,旨在為固始民間柳編的發(fā)展指明方向,帶動固始柳編藝術(shù)真正的發(fā)展,使人們重新認識柳條——這一大自然的禮物,這個不管時代如何演變,都具有無法被科技化工業(yè)化取代的巨大魅力的柳編藝術(shù)。 同時筆者希望可以讓固始三河尖這個人口不斷流失、高齡化與空房子明顯增多的老街上,找回新的生活和未來的希望。
[Abstract]:"the use of natural materials is a trend because nature is the future," Tagri Abou 茅, the designer of the Spanish National Pavilion at the 2010 Shanghai World Expo, told us. With the rapid development of science and technology and the drastic changes in the social environment, sustainable development is based on the continuous development of human society, and the effective utilization of resources and the optimization of the environment are put forward. Promote social and economic development of a virtuous cycle of development model. From the naturalism harmony of Zhuangzi's "Taoism to Nature, return to Nature" to the thought of Confucius and Mencius's "full understanding", "harmony with Heaven and Heaven" and "Harmony of Heaven and Man", the thought of "the unity of nature and man", which is equal and harmonious between man and nature, continues to this day. By expounding the importance of the relationship between man and nature, the sustainability of natural resources is clarified, the economic activities of human beings are made rational, the virtuous circle between human society and ecological environment is formed, and the sustainable utilization of resources is achieved. Create a better ecological environment. With the progress of civilization and the development of the times, the thought of sustainable development has also been given a broader and more profound meaning. As one of the traditional folk arts in China, Liu Zan is a kind of natural material that can be used in many fields of environmental protection. It has been discovered and abandoned by people. Now, the development of willow weaving art is facing a lot of difficulties. As to whether willow weaving art can recover in the future and how to develop continuously and healthily, And give birth to new artistic space, the author thinks has very high research value. This paper takes Sanhejian of Gushi County, Henan Province, as the breakthrough point, through the research on the forming background, production technology and weaving technology of Gushi willow knitting, and deeply excavates the cultural connotation of Gushi willow knitting. Thus there is a complete systematic summary of the development process of Gushi willow weaving, the analysis of the social practicability of Gushi folk willow weaving art, including the discussion of its aesthetic art value and market development value. Through the analogy analysis of Gushi willow weaving art, the author finds the source of creation for the development of Gushi willow weaving art, studies the possibility of Gushi willow weaving in the application of modern art design, and makes a research on the trend of the development of modern society. The purpose of the sustainable development of Gushi willow weaving is to point out the direction for the development of the folk willow weaving in Gushi, to promote the real development of Gushi willow weaving art, and to make people reunderstand the willow-this gift of nature. No matter how the time evolves, it has a huge charm that cannot be replaced by scientific and technological industrialization. At the same time, the author hopes to let Gushi Sanhejian, the population continue to lose, aging and the number of empty houses on the old street, to find new life and hope for the future.
【學(xué)位授予單位】：昆明理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J523.4

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