本文選題：印規(guī) + 筆掭�。� 參考：《中國書法》2013年10期

【摘要】：文房清供特指書房清雅的陳設(shè)器具,即筆墨紙硯以及相應(yīng)發(fā)展而來的各種輔助用具。筆、墨、紙、硯早在漢代發(fā)展成熟,逐漸確立了其主導(dǎo)地位,在其漫長的發(fā)展過程中,相繼出現(xiàn)了一些輔助用具,根據(jù)不同用途,分別命名為筆架、筆床、筆船、筆筒、筆洗、筆掭、水丞、硯滴、水注、硯屏、墨床、鎮(zhèn)紙,鎮(zhèn)尺、臂擱、印章、印盒、印規(guī)、仿圈、紙刀等,這些輔助用具的出現(xiàn)要晚于筆墨紙硯,它是伴隨著筆墨紙硯的發(fā)展而繁衍興盛。并形成了各自發(fā)展體系,成為書齋重要的陳設(shè)器具。本期特推出文房雅玩特輯,對這一文化現(xiàn)象予以介紹。
[Abstract]:The Qing Dynasty refers to the elegant furnishings of the study, namely, ink and paper ink stone and the corresponding development of various auxiliary appliances. Pen, ink, paper and inkstone developed and matured as early as in the Han Dynasty, and gradually established their dominant position. In its long process of development, a number of auxiliary appliances appeared one after another. According to different uses, they were named as penholder, pen bed, pen boat, pen barrel, and pen wash. Pen, Shuicheng, inkstone, water injection, inkstone screen, ink bed, paperweight, ruler, arm rest, seal, printing box, rubric, imitation ring, paper knife and so on. It is accompanied by the development of ink and paper and flourish. And formed their own development system, become the important furnishings in the study. This issue features the introduction of this cultural phenomenon.
【作者單位】： 故宮博物院;
【分類號】：K87

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相關(guān)期刊論文 前1條

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相關(guān)期刊論文 前10條

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本文編號：1969668