本文選題：構(gòu)成設(shè)計(jì) + 陶藝　； 參考：《西安建筑科技大學(xué)》2013年碩士論文

【摘要】：隨著現(xiàn)代新型陶藝創(chuàng)作公眾影響力的不斷提升，更廣泛地探索陶藝作品的藝術(shù)創(chuàng)作形式及其應(yīng)用性成為十分有意義的研究課題。“陶”以其自身特殊的質(zhì)地、色彩、肌理，，以及它所折射的人文和歷史的關(guān)懷而產(chǎn)生的獨(dú)特魅力，正越來(lái)越為公眾所接受和喜愛(ài)。陶作為一個(gè)普遍使用的材料逐漸成為藝術(shù)家和建筑師表現(xiàn)和使用的素材，現(xiàn)代陶藝創(chuàng)作正在經(jīng)歷著又一個(gè)新的藝術(shù)高峰。構(gòu)成設(shè)計(jì)的引入，將陶瓷這一傳統(tǒng)的材料進(jìn)行了新的研究和嘗試，運(yùn)用構(gòu)成設(shè)計(jì)的審美觀念和構(gòu)成法則創(chuàng)造出新的個(gè)性化、多元化的美學(xué)觀點(diǎn)和藝術(shù)形態(tài)。通過(guò)更為精準(zhǔn)的觀念革新和技術(shù)革新，陶以其極強(qiáng)的可塑性和可轉(zhuǎn)換性被廣泛應(yīng)用，使現(xiàn)代陶藝創(chuàng)作在藝術(shù)創(chuàng)作觀念和理性的設(shè)計(jì)施工等方面不斷走向成熟和完善。設(shè)計(jì)對(duì)象從具有日常使用功能的器皿，到具有極高藝術(shù)價(jià)值的公共環(huán)境陶藝作品，生產(chǎn)也從傳統(tǒng)的純手工藝時(shí)代較為中規(guī)中矩的手工制陶狀態(tài)發(fā)展到運(yùn)用構(gòu)成設(shè)計(jì)體系進(jìn)行大規(guī)模、批量化、機(jī)械化的現(xiàn)代陶藝工業(yè)化生產(chǎn)階段。陶藝創(chuàng)作經(jīng)歷了一個(gè)由簡(jiǎn)單制作到專(zhuān)業(yè)設(shè)計(jì)，由具體器物的設(shè)計(jì)到對(duì)公共空間大尺度建構(gòu)，由器物層面升華到精神層面的探索和轉(zhuǎn)化過(guò)程。本論文試圖從上述這些轉(zhuǎn)化著手，運(yùn)用分析歸類(lèi)的方法探索構(gòu)成設(shè)計(jì)在陶藝創(chuàng)作中的應(yīng)用性及與工業(yè)技術(shù)生產(chǎn)相結(jié)合的最新發(fā)展趨勢(shì)。利用構(gòu)成設(shè)計(jì)的美學(xué)法則在陶藝創(chuàng)作中的獨(dú)特創(chuàng)作意識(shí)及其多樣的應(yīng)用性，通過(guò)探討陶藝創(chuàng)作大范圍的使用構(gòu)成設(shè)計(jì)體系的構(gòu)建手法問(wèn)題，以及對(duì)藝術(shù)流變中新生的多元化創(chuàng)作類(lèi)型的研究，具體深入的對(duì)當(dāng)代陶藝創(chuàng)作的多元化應(yīng)用性趨勢(shì)進(jìn)行分析研究。
[Abstract]:With the continuous improvement of the public influence of modern modern ceramic art creation, the more extensive exploration of the artistic form and its application of pottery works has become a very meaningful research topic. "Tao" is becoming more and more attractive with its special texture, color, texture, and the humanistic and historical care it refracted. To be accepted and loved by the public, pottery, as a common material, has gradually become the material for the performance and use of artists and architects. Modern ceramic creation is experiencing a new peak of art. And the principles of composition create new individualization, diversified aesthetic views and artistic forms. Through more accurate conceptual innovation and technological innovation, pottery is widely used in its very strong plasticity and conversion, making modern ceramic creation mature and perfect in the concept of artistic creation and rational design and construction. From the utensils with the daily use function to the high artistic value of the pottery art works of public environment, the production has also developed from the traditional handmade pottery state in the traditional pure handicraft era to the large-scale, batch and mechanized industrial production stage of the modern pottery. From the design of simple production to professional design, from the design of specific utensils to the large scale construction of public space, the exploration and transformation process from the level of utensils to the spiritual level. This paper tries to explore the application of the design in the creation of ceramic art and the production of industrial technology from the above transformation and the method of analysis and classification. The new trend of development is combined with the unique creative consciousness and variety of application in the creation of ceramic art. Through the discussion of the construction technique of a wide range of use of ceramic art, and the study of the new type of creation of the new art in the course of the art, it is specific and thorough to the contemporary era. The diversified application trend of pottery creation is analyzed and studied.
【學(xué)位授予單位】：西安建筑科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：J527

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