本文選題：湖湘民間刺繡 + 數(shù)字化　； 參考：《湖南師范大學(xué)》2012年碩士論文

【摘要】：湖湘刺繡歷經(jīng)千年,從我國楚文化區(qū)域出土的刺繡珍品可以發(fā)現(xiàn),中國刺繡藝術(shù)的歷史淵源與地處楚文化地區(qū)的湖湘刺繡的藝術(shù)的傳承與發(fā)展有著一脈相承的關(guān)系。湖南是一個(gè)多民族的省份,湖湘民族中非物質(zhì)文化---民間刺繡藝術(shù)留存著楚漢刺繡的神秘且浪漫的風(fēng)韻,同時(shí)雜糅了湖湘勞動(dòng)人民鮮活的創(chuàng)新意識(shí),在我國民族民間藝術(shù)中占有重要的地位。 而伴隨著現(xiàn)代工業(yè)化的高速發(fā)展,傳統(tǒng)手工藝卻在無聲的消失。如今,信息化傳遞方式已走入了千家萬戶,與此相對(duì)的卻是湖湘民間刺繡這一傳統(tǒng)手工藝舉步維艱,幾乎面臨停滯的尷尬處境。因此,在這個(gè)由信息占主導(dǎo)的時(shí)代,將傳統(tǒng)文化與時(shí)代的步伐緊緊掛鉤,把湖湘民間刺繡藝術(shù),通過數(shù)字化技術(shù)來進(jìn)行最有效保存和最廣泛的傳播,就顯得尤為重要。本文將把界定數(shù)字化的概念放在全文的開篇,同時(shí)由淺入深的從哲學(xué)角度,探討非物質(zhì)文化遺產(chǎn)數(shù)字化中的關(guān)鍵—“展示”與“傳播”性。與此同時(shí),本文是以湖湘民間刺繡為藍(lán)本,站在數(shù)字化保護(hù)展示與傳播的思考維度,對(duì)國內(nèi)外現(xiàn)狀進(jìn)行文獻(xiàn)研究,并對(duì)湖湘民間刺繡藝術(shù)展開詳實(shí)調(diào)研和藝術(shù)特色研究,并進(jìn)一步提出湖湘民間刺繡數(shù)字化保護(hù)和傳播的途徑,針對(duì)性展開了如何何對(duì)湖湘民間刺繡進(jìn)行數(shù)字化的采集、編輯與展示的實(shí)踐過程。以期找尋非物質(zhì)文化數(shù)字化保護(hù)中傳播與教育的發(fā)展方向。
[Abstract]:After thousands of years of embroidery in Huxiang, it can be found that the historical origin of Chinese embroidery art is closely related to the inheritance and development of Huxiang embroidery art, which is located in the area of Chu culture, from the embroidery treasures unearthed in the cultural region of Chu in China. Hunan is a multi-ethnic province, Huxiang non-material culture-folk embroidery art retains the Chu and Han embroidery mysterious and romantic charm, at the same time mixed with Huxiang working people's fresh sense of innovation, In our national folk art occupies an important position. With the rapid development of modern industrialization, the traditional handicraft disappeared silently. Nowadays, information transmission has entered thousands of households, and the opposite is Huxiang folk embroidery, which is a traditional handicraft difficult, almost face the awkward situation of stagnation. Therefore, in this era dominated by information, it is particularly important to closely link traditional culture with the pace of the times, and to carry out the most effective preservation and most extensive dissemination of Huxiang folk embroidery art through digital technology. This paper will put the concept of defining digitization at the beginning of the full text, at the same time, from a philosophical point of view, to explore the key in the digitization of intangible cultural heritage-"display" and "dissemination". At the same time, this article is based on Huxiang folk embroidery, standing on the thinking dimension of digital protection display and dissemination, carrying on the literature research on the present situation at home and abroad, and carrying out detailed investigation and research on the art characteristics of Huxiang folk embroidery. Furthermore, the paper puts forward the ways of digital protection and dissemination of Huxiang folk embroidery, and puts forward the practical process of how to collect, edit and display the digital collection, editing and display of Huxiang folk embroidery. In order to find the development direction of communication and education in the digital protection of immaterial culture.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J523.6

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本文編號(hào)：1935689