本文選題：試論 + 中國　； 參考：《美術(shù)觀察》2013年02期

【摘要】：正哲學(xué)家黑格爾說:"最古老的藝術(shù)紀(jì)念碑就是那些巖窟壁畫,驚人精確的富于表情的動物畫后來,畫風(fēng)發(fā)生了罕見的變化,在新石器時代,繪面變成了神秘的符號,其意義至今也無從猜測,意義和形象已經(jīng)彼此脫節(jié)"黑格爾所說的"畫風(fēng)變化",指的是巖畫風(fēng)格的變化。中國巖畫在發(fā)展過程中,點(diǎn)象的造型作用從寫實到象征,最后歸于形式化的裝飾性。一、中國古代巖畫主要裝飾手法中國古代巖畫的主要裝飾手法有"簡化"、"夸張"、"添加"、"分解"、"打破比例、時空概念"等方法。"簡化"主要是指對自然形態(tài)的簡潔化,減去繁瑣細(xì)節(jié),以突出整體的特征與個性。在西藏巖畫里,一個大鳥的圖像,近乎等腰
[Abstract]:The philosopher Hegel said, "the oldest art monument is the rock cave murals, the amazing precision of the expressive animal paintings, and the rare changes in the style of painting. In the Neolithic Age, the painting surface became a mysterious symbol." There is no way to guess its meaning, meaning and image have been out of touch with each other. "the change of painting style" by Hegel refers to the change of rock painting style. In the process of development of Chinese rock painting, the modeling function of dot image is from realism to symbol, and finally to formal decoration. First, the main decorative techniques of ancient Chinese rock paintings are "simplification", "exaggeration", "addition", "decomposition", "breaking proportion, space-time concept" and so on. " Simplification mainly refers to the simplification of the natural form, subtracting the complicated details, in order to highlight the characteristics and individuality of the whole. In Tibetan rock paintings, an image of a large bird, near isosceles
【作者單位】： 江蘇鹽城師范學(xué)院;新疆師范大學(xué);
【分類號】：K879.4;J219
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本文編號：1896398