本文選題：漆藝 + 地域性因素��； 參考：《沈陽建筑大學》2013年碩士論文

【摘要】：作為中國傳統(tǒng)的藝術形式,漆藝在20世紀文化主流進程的迅猛發(fā)展與現(xiàn)代藝術觀念的變化下發(fā)展之路十分坎坷。而作為中國漆藝的一大分支,福建漆藝在當代語境中的發(fā)展也面臨著諸多問題和挑戰(zhàn)。 文章就國內(nèi)外漆藝的研究現(xiàn)狀與發(fā)展趨勢進行詳盡的分析,并對漆藝的概念、材料、工藝技法進行系統(tǒng)的介紹,使人們對漆藝有一個整體的了解與把握。作為一門傳統(tǒng)的手工藝,漆藝具有一切工藝美術的基本特征,而漆藝與其它工藝美術最本質(zhì)的區(qū)別就在于“漆”媒材的應用,以及天然漆所帶來的“髹飾”本性。在漫長的時日演化過程中,人們積累了豐富的漆藝技法,形成了自已獨特的藝術風格,并不斷豐富漆藝技法的同時,將大漆運用到了更為廣闊的領域當中,使得漆藝與其它工藝相結合,不斷拓寬著漆藝的表現(xiàn)空間。 對傳統(tǒng)的福建漆藝進行系統(tǒng)的說明,指出福建地區(qū)特殊的自然環(huán)境、歷史及文化等地域性因素對福建漆藝的發(fā)展產(chǎn)生著深刻的影響,使得福建漆藝在得天獨厚地理環(huán)境、良好‘的氣候條件、悠久的歷史積淀以及豐富多彩的人文因素的影響下，形成了自己獨特藝術風格,積累了豐富的漆藝技法,并得以長期保持領先,逐步發(fā)展成為近現(xiàn)代中國民間漆藝的中心,以及中國漆藝人才輩出的現(xiàn)代藝術中心。而以福州的脫胎漆器,廈門的漆線雕、永春的漆籃為代表的福建特色漆藝作為中國漆藝的一項寶貴資源,在當代社會中有著很高的地位與價值。 通過筆者到福建地區(qū)的實際考察的體會,分析當代語境下福建漆藝的創(chuàng)作基礎,指出當代福建漆藝創(chuàng)作的必經(jīng)階段,對福建現(xiàn)代漆畫、現(xiàn)代漆器、現(xiàn)代漆塑(漆立體造型)為代表的當代福建漆藝創(chuàng)作的個案進行分析。在當代語境下,福建漆藝的創(chuàng)作受到閩南本土的閩越族文化、中原漢族移民的禮樂文化以及西方的外來文化的共同影響,是福建漆藝家精神創(chuàng)造的實踐活動的產(chǎn)物,是他們對當代生活的感受、理解、評價經(jīng)過藝術構思,在繼承傳統(tǒng)文化和傳統(tǒng)漆藝的同時,吸取大量外來文化和現(xiàn)代藝術的養(yǎng)分,運用漆媒材與技法以及現(xiàn)代科技手段來表現(xiàn)當代的福建生活,創(chuàng)作出的現(xiàn)代漆藝作品呈現(xiàn)出多元化趨勢。 在當代語境下福建漆藝的創(chuàng)作,必須在傳統(tǒng)漆藝的基礎上,打破固有的思維模式,運用現(xiàn)代科技手段,開發(fā)新材料,開拓新技法,關注現(xiàn)代潮流,吸取現(xiàn)代藝術和其它藝術門類的精華,為福建漆藝的創(chuàng)新提供史多的靈感,不斷提高福建漆藝的制作水平,運用個性化的藝術語言,創(chuàng)作出反映鮮明的地域特征和允滿強烈的時代特征漆藝作品,呈現(xiàn)出現(xiàn)代人的精神狀態(tài)和現(xiàn)代人對漆藝媒材與技法的重新選擇,社建漆藝才能擁有更為廣闊的發(fā)展空間。
[Abstract]:As a traditional Chinese art form, lacquer art has a rough road in the 20th century with the rapid development of cultural mainstream process and the change of modern art concept. As a branch of Chinese lacquer art, Fujian lacquer art also faces many problems and challenges in contemporary context. This paper makes a detailed analysis of the present situation and development trend of lacquer art at home and abroad, and systematically introduces the concepts, materials and techniques of lacquer art, so that people can have an overall understanding and grasp of lacquer art. As a traditional handicraft, lacquer has the basic characteristics of all arts and crafts. The essential difference between lacquer and other arts and crafts lies in the application of "lacquer" medium and the nature of "lacquer" brought about by natural lacquer. During the long period of evolution, people accumulated rich lacquer techniques, formed their own unique artistic style, and constantly enriched lacquer techniques, and applied large lacquer to a wider field. Make lacquer art and other craft combine, expand the performance space of lacquer art ceaselessly. This paper systematically explains the traditional lacquer art in Fujian, and points out that regional factors such as the special natural environment, history and culture in Fujian area have a profound influence on the development of the lacquer art in Fujian, which makes the lacquer art in Fujian unique geographical environment. Under the influence of good climate conditions, long history and rich and colorful cultural factors, we have formed our own unique artistic style, accumulated rich lacquer techniques, and have been able to maintain the leading position for a long time. Gradually developed into the center of modern Chinese folk lacquer art, as well as Chinese lacquer talent center of modern art. Fujian characteristic lacquer art, represented by Fuzhou lacquer ware, Xiamen lacquer wire carving and Yongchun lacquer basket, as a precious resource of Chinese lacquer art, has a high status and value in contemporary society. Based on the author's experience in Fujian Province, this paper analyzes the creative basis of Fujian lacquer art in the contemporary context, and points out that the necessary stage of contemporary Fujian lacquer art creation is the modern lacquer painting and lacquer ware in Fujian. Modern lacquer-plastic (three-dimensional lacquer modeling) as a representative of contemporary Fujian lacquer creation case analysis. In the contemporary context, the creation of Fujian lacquer art is influenced by the Min-Yue culture in the south of Fujian, the etiquette and music culture of the Han immigrants in the Central Plains and the foreign culture of the West, which is the product of the practical activities created by the spirit of Fujian lacquer artists. It is their feelings, understanding and evaluation of contemporary life that, while inheriting traditional culture and traditional lacquer art, absorb a great deal of nutrients from foreign cultures and modern art through artistic conception. Using lacquer media, techniques and modern scientific and technological means to express the contemporary life of Fujian, the modern lacquer art works show a diversified trend. In the contemporary context, the creation of Fujian lacquer art must be based on the traditional lacquer art, break the inherent mode of thinking, use modern scientific and technological means, develop new materials, develop new techniques and pay attention to the modern trend. Absorbing the essence of modern art and other art categories, providing more inspiration for the innovation of Fujian lacquer art, constantly improving the production level of Fujian lacquer art, using individualized artistic language, The creation of lacquer works reflecting the distinct regional characteristics and the strong characteristics of the times presents the spiritual state of modern people and the re-selection of lacquer art media and techniques by modern people so that the construction of lacquer art can have a broader space for development.
【學位授予單位】：沈陽建筑大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J527

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