發(fā)布時間：2018-05-04 00:01

  本文選題：黔東南 + 苗族�。� 參考：《貴州民族大學》2012年碩士論文

【摘要】：被稱為“苗疆腹地”的黔東南地區(qū)，自苗族遷徙至此以來，苗族人民在這里創(chuàng)造了廣厚的民族文化。其剪紙文化則是其豐厚文化的體現(xiàn)形式之一，也是其文化傳承的載體。這就是本課題研究的目的及意義所在。 本文共分為五個部分，共四萬余字。 第一部分對黔東南苗族剪紙作了一個簡要的概述。即就其分布區(qū)域、制作工具、剪紙技藝及風格特征一一作以詳細介紹，為后面的分析奠定一定基礎。 第二部分主要論述了黔東南苗族剪紙的文化生態(tài)環(huán)境。每一種文化都有其特定的生存背景。那么黔東南苗族剪紙文化是生存于怎么樣的一個生態(tài)環(huán)境中呢？本文第二部分就其自然生境（包括地質地貌、氣候特點、水系脈絡及動植物資源等）及人文生境（包括村寨居住、姓氏宗族、社會組織、服飾刺繡、節(jié)日集會、婚姻喪葬等）兩方面來加以具體論述。 第三部分主要是對其紋樣的文化內涵加以深層次的探究和論述。筆者在總結以往研究者觀點的基礎上，，結合自己的認識，把其紋樣所蘊含的文化內涵分為象征文化內涵、宗教文化內涵及民俗歷史文化內涵三個方面加以論述。 第四部分則著重闡述了其價值及功能。黔東南苗族剪紙，就其價值而言，主要有美學價值、經(jīng)濟價值及學術研究價值；對其功能的闡述，則從剪紙的實用功能、民俗傳承功能及藝術鑒賞功能等方面來論述的。 第五部分是在非物質文化遺產(chǎn)的視野下，先對黔東南苗族剪紙保護傳承現(xiàn)狀及保護傳承中的困境加以陳述后，再在此基礎上分析出黔東南苗族剪紙保護傳承中需要明確的問題，最后才提出一些可行性措施。
[Abstract]:The Qiandongnan area, known as the Hmong hinterland, has created a thick national culture here since the Miao people migrated here. The paper cutting culture is one of its rich culture forms and the carrier of its cultural heritage. This is the purpose and significance of this study.
This article is divided into five parts, with a total of more than 40 thousand words.
In the first part, a brief overview of the Qiandongnan Miao paper cutting is made. That is, the distribution area, the making tools, the paper cutting skills and the style features are introduced in detail, which lays a foundation for the later analysis.
The second part mainly discusses the cultural and ecological environment of the Qiandongnan Miao paper-cut. Each culture has its specific survival background. Then how does the Qiandongnan Miao paper cutting culture exist in an ecological environment? The second part of this article is on its natural habitats (including geological features, climatic characteristics, water system veins and animal and plant resources) Two aspects are discussed in detail from the following aspects: Human Settlement (including village residence, family name, social organization, dress embroidery, holiday assembly, marriage burial, etc.).
The third part is mainly to explore and discuss the cultural connotation of its pattern. On the basis of summarizing the former researchers' views, the author divides the cultural connotation of its pattern into three aspects: symbolic cultural connotation, religious culture connotation and folklore and cultural connotation.
The fourth part focuses on its value and function. The Qiandongnan Miao paper cutting, as far as its value is concerned, mainly has aesthetic value, economic value and academic research value, and its function is expounded from the practical function of paper-cut, the function of folklore inheritance and the function of artistic appreciation.
The fifth part is in the view of the intangible cultural heritage, first the status of Qiandongnan Miao paper cutting protection and the protection and inheritance of the difficulties to be stated, and on this basis on this basis analysis of the Qiandongnan Miao paper cutting protection and inheritance need clear problems, and finally put forward some feasible measures.

【學位授予單位】：貴州民族大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J528.1

【參考文獻】

相關期刊論文 前10條

1 席克定;試論貴州民族民間剪紙[J];貴州民族研究;1988年02期

2 石朝江;苗族歷史上的五次遷徙波[J];貴州民族研究;1995年01期

3 丁文濤;;貴州剪紙的地域性特色[J];貴州大學學報(藝術版);2008年01期

4 余未人;;苗族剪紙故事多多[J];當代貴州;2009年22期

5 謝筱鵬;;貴州苗族剪紙的發(fā)展之道[J];貴州大學學報(藝術版);2010年03期

6 劉鋒;苗族服飾交魚紋圖案象征意義剖析[J];吉首大學學報(社會科學版);2001年03期

7 田茂軍,鄧振軍;湘西苗族剪紙的分類及其文化內涵[J];吉首大學學報(社會科學版);2001年03期

8 馬立明;;苗龍文化現(xiàn)象淺析[J];美術;2006年02期

9 向農(nóng);苗族剪紙藝術與民族習俗的關系[J];民間文學論壇;1996年04期

10 葉大兵;論象征在民俗中的表現(xiàn)及其意義[J];民俗研究;1994年03期

本文編號：1840661