本文選題：山刻瓷 + 歷史傳承��； 參考：《渤海大學(xué)》2012年碩士論文

【摘要】：淄博的陶瓷生產(chǎn)歷史悠久、馳名中外，被譽(yù)為中國“五大瓷都”之一。位于淄博市西南端的博山區(qū)，是淄博陶瓷的主要發(fā)祥地和生產(chǎn)中心。博山地區(qū)發(fā)達(dá)的陶瓷業(yè)、獨(dú)特的民俗文化以及眾多的刻瓷藝術(shù)愛好者，促進(jìn)了博山刻瓷工藝的發(fā)展。博山刻瓷工藝雖然只有不到四十年的歷史，但它的出現(xiàn)和發(fā)展為我國的陶瓷藝術(shù)增添了一朵絢麗的奇葩。 博山刻瓷工藝起點(diǎn)高、發(fā)展快。近幾年來，經(jīng)過刻瓷藝人對刻瓷品種的不斷充實(shí)、畫面內(nèi)容的不斷豐富、刻瓷技術(shù)的日臻完善，博山刻瓷工藝已逐步形成了樸實(shí)、典雅、莊重的藝術(shù)風(fēng)格。并先后誕生了《卡爾馬克思像》、《敦煌歸真》、《寒雀圖》等眾多蜚聲中外的藝術(shù)珍品，其不同與北京、景德鎮(zhèn)等地區(qū)刻瓷工藝的獨(dú)特技術(shù)和風(fēng)格，為刻瓷藝術(shù)的發(fā)展注入了新的活力，，如今已逐步成為中國刻瓷藝術(shù)的主流。 本文通過對博山刻瓷工藝的實(shí)地調(diào)查和研究，結(jié)合博山刻瓷工藝的制作流程，從其發(fā)展脈絡(luò)入手，以歷史資料和現(xiàn)存實(shí)物為依據(jù)，站在藝術(shù)史和文化發(fā)展的高度，對博山刻瓷工藝的審美、工藝和文化價(jià)值等各個(gè)方面做出了全面解析，并展望博山刻瓷工藝的發(fā)展前景，最終形成對博山刻瓷工藝的全面把握。此前從事這項(xiàng)工藝研究的人很少，以期待本課題的研究能為人們更好的認(rèn)識和了解博山刻瓷工藝起到一定的積極作用。
[Abstract]:Zibo has a long history of ceramic production and is known both at home and abroad as one of the "five major porcelain capitals" in China. Located at the southwest end of Zibo City, Boshan District is the main birthplace and production center of Zibo ceramics. Boshan developed ceramic industry, unique folk culture and numerous porcelain engraving art lovers, to promote the development of Boshan porcelain engraving technology. Although Boshan porcelain engraving process is less than 40 years of history, but its appearance and development for China's ceramic art to add a gorgeous flower. Boshan porcelain engraving process has a high starting point and rapid development. In recent years, through the incessant enrichment of porcelain engraving artists, the continuous enrichment of screen content, and the perfection of porcelain engraving technology, Boshan porcelain engraving technology has gradually formed a simple, elegant, solemn art style. "Karl Marx Image", "Dunhuang Gui Zhen", "Cold Finch Picture" and many other famous art treasures were born, which are different from the unique techniques and styles of porcelain engraving in Beijing, Jingdezhen and other regions. It has injected new vitality into the development of porcelain engraving art, and has gradually become the mainstream of Chinese porcelain engraving art. Through the field investigation and research on the porcelain engraving technology of Boshan, combined with the production process of the porcelain engraving process in Boshan, starting with its development, based on historical data and existing objects, this paper stands at the height of the development of art history and culture. This paper makes a comprehensive analysis on the aesthetic, technological and cultural value of the Bushan porcelain carving technology, and looks forward to the development prospect of the Bushan porcelain carving technology, and finally forms a comprehensive grasp of the Boshan porcelain engraving technology. Few people have been engaged in this technology research before, so it is expected that the research on this subject will play a positive role in better understanding and understanding of Boshan porcelain engraving technology.
【學(xué)位授予單位】：渤海大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J527

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