本文選題：青花 + 水墨畫�。� 參考：《景德鎮(zhèn)陶瓷學(xué)院》2013年碩士論文

【摘要】：本文以青花水墨畫為課題，從青花裝飾發(fā)展中分離出青花水墨畫，，挖掘青花水墨畫藝術(shù)特點(diǎn)，著重論述元明清三代青花水墨。以史為鑒，指出元代和明初期青花水墨畫的特點(diǎn)；晚明清初青花水墨畫寫意特點(diǎn)；傳統(tǒng)水墨畫和現(xiàn)代水墨畫影響下的近現(xiàn)代青花水墨畫特點(diǎn)。旨在總結(jié)歷代青花水墨畫優(yōu)秀傳統(tǒng)，并提出青花水墨畫中，釉面、青花料和繪畫技法有機(jī)結(jié)合的重要性，對(duì)比紙上水墨畫特點(diǎn)，指出當(dāng)代青花水墨畫傳承與創(chuàng)新的重要性。
[Abstract]:In this paper, the blue and white ink painting as a subject, from the development of blue and white flowers, the development of blue and white ink painting, explore the artistic characteristics of blue and white ink painting, focusing on the Yuan, Ming and Qing dynasties blue and white ink. Taking history as a mirror, this paper points out the characteristics of blue and white ink painting in Yuan Dynasty and early Ming Dynasty, freehand brushwork characteristics of blue and white ink painting in late Ming Dynasty and early Qing Dynasty, and the characteristics of modern blue and white ink painting under the influence of traditional ink painting and modern ink painting. The purpose of this paper is to summarize the outstanding tradition of blue and white ink painting in the past dynasties, and to point out the importance of the organic combination of glaze, blue and white materials and painting techniques in blue and white ink painting, to compare the characteristics of ink and wash painting on paper, and to point out the importance of inheritance and innovation of contemporary blue and white ink painting.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J527;J212

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

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本文編號(hào)：1818918