發(fā)布時(shí)間：2018-04-20 14:53

  本文選題：影青釉 + 現(xiàn)代陶藝��； 參考：《景德鎮(zhèn)陶瓷學(xué)院》2012年碩士論文

【摘要】：影青釉是一種單色釉，一般在宋元文獻(xiàn)中稱其成瓷為“青白瓷”，特指宋元時(shí)期景德鎮(zhèn)及其周邊地區(qū)生產(chǎn)的一種釉潤(rùn)胎薄，潔白致密，清澈如玉，釉色介于青、白之間的清新淡雅的瓷器。它是基于人們對(duì)中國(guó)玉文化的敬仰與需求而產(chǎn)生的，是一種“類玉”之美。20世紀(jì)80年代中后期，隨著中國(guó)現(xiàn)代陶藝的發(fā)展影青釉廣泛地被用于現(xiàn)代陶 藝創(chuàng)作中。而西方現(xiàn)代藝術(shù)的介入，“中西合璧”的趨勢(shì)勢(shì)必會(huì)對(duì)陶瓷藝術(shù)的發(fā)展產(chǎn)生沖擊，而影青釉不僅是一種裝飾手段，同時(shí)還蘊(yùn)含著中國(guó)獨(dú)具的文化精神。因此，賦有中國(guó)傳統(tǒng)文化的影青釉作為現(xiàn)代陶藝的裝飾手法對(duì)中國(guó)現(xiàn)代陶藝的發(fā)展意義深遠(yuǎn)，豐富了現(xiàn)代陶藝裝飾語言，并對(duì)中國(guó)傳統(tǒng)文化的傳承有著積極地作用。本文從歷史的研究角度，以影青釉自身的特質(zhì)為基本點(diǎn)，從工藝高度與藝術(shù)高 度兩大塊面的論證，分析影青釉在現(xiàn)代陶藝中的運(yùn)用。從玉文化與人的社會(huì)生活的關(guān)系，引出影青瓷的產(chǎn)生，并通過影青瓷與玉的發(fā)展關(guān)系，論證了影青釉所達(dá)到的工藝高度與“類玉”的審美特點(diǎn)。同時(shí)，，在世界現(xiàn)代陶藝的發(fā)展的宏觀范圍內(nèi)，影青釉通過與形式、材質(zhì)、技法的結(jié)合體現(xiàn)出一種意境美，這是一種藝術(shù)行為，是具有現(xiàn)代審美意味的。
[Abstract]:Ying Qing glaze is a kind of monochromatic glaze, which is generally referred to as "celadon porcelain" in the literature of Song and Yuan dynasties. In particular, it refers to a kind of glaze produced in Jingdezhen and its surrounding areas in Song and Yuan dynasties, which is thin, white and dense, such as clear jade, and the glaze color is between blue and blue. The fresh, elegant china between white. It is based on people's admiration and demand for Chinese jade culture. It is a kind of "jade" beauty. In the middle and late 1980s, with the development of Chinese modern pottery art, it has been widely used in modern pottery. In the process of artistic creation. With the intervention of modern western art, the trend of "the combination of Chinese and Western" is bound to impact the development of ceramic art, and the shadow green glaze is not only a decorative means, but also contains the unique cultural spirit of China. Therefore, as the decoration technique of modern ceramic art, the shadow green glaze with Chinese traditional culture is of far-reaching significance to the development of Chinese modern ceramic art, enriches the decorative language of modern ceramic art, and plays an active role in the inheritance of Chinese traditional culture. From the perspective of historical research, this paper takes the characteristics of the shadow green glaze as the basic point, from the height of the craft and the high art. The paper analyzes the application of shadow-green glaze in modern ceramic art. From the relationship between jade culture and people's social life, the emergence of shadow celadon is introduced, and through the development relationship between shadow celadon and jade, the technological height and aesthetic characteristics of "jade" are demonstrated. At the same time, in the macroscopical scope of the development of modern ceramic art in the world, the combination of shadow and green glaze with form, material and technique embodies a kind of artistic conception beauty, which is an artistic act and has modern aesthetic meaning.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J527

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本文編號(hào)：1778225