本文選題：湘繡工藝 + 湘繡價(jià)值�。� 參考：《湖北工業(yè)大學(xué)》2012年碩士論文

【摘要】：隨著經(jīng)濟(jì)全球化及現(xiàn)代經(jīng)濟(jì)社會(huì)的高速發(fā)展，一個(gè)多元化的開(kāi)放世界呈現(xiàn)在我們眼前，人們的鑒賞眼光，生活環(huán)境發(fā)生著極大的變化。新意識(shí)的潮流和大機(jī)器生產(chǎn)逐漸抨擊著傳統(tǒng)手工藝，特別是湘繡這一種傳統(tǒng)精細(xì)型的特種手工藝。我們要怎樣才能確保湘繡這一古老的民間藝術(shù)既不失自己本身固有的特色，又可以繼續(xù)得以創(chuàng)新和發(fā)展呢？本文試著從對(duì)湘繡淵源、工藝以及傳承與保護(hù)等多方面的研究，突出其人文精神和文化屬性，挖掘湘繡工藝的藝術(shù)價(jià)值和社會(huì)價(jià)值，結(jié)合文化遺產(chǎn)保護(hù)的相關(guān)理論和成果，提出傳承與保護(hù)傳統(tǒng)湘繡藝術(shù)的相應(yīng)對(duì)策和建議，使湘繡文化的精粹發(fā)揚(yáng)光大，保持旺盛的生命力，使“中國(guó)湘繡之鄉(xiāng)”的盛名更加輝煌燦爛，以保證這門(mén)悠久而神奇的傳統(tǒng)手工藝術(shù)能永遠(yuǎn)的綻放光輝，永不磨滅。 湘繡的發(fā)展并不是一帆風(fēng)順，它歷盡坎坷。本文通過(guò)搜集和整理國(guó)內(nèi)外學(xué)者有關(guān)湘繡、湘繡工藝、傳統(tǒng)工藝、文化特征和非物質(zhì)文化遺產(chǎn)的保護(hù)等方面的研究論文和理論著作、實(shí)例介紹等，得到相應(yīng)的研究資料，并提出創(chuàng)新點(diǎn)。也實(shí)地考察了湖南長(zhǎng)沙等地的湘繡工廠及民間作坊并對(duì)其的制作工藝進(jìn)行拍攝記錄，，從而獲得論文所需的直接、真是的基本資料，以此來(lái)展開(kāi)研究。 我希望通過(guò)對(duì)湘繡的溯源，分類，工藝特征及文化內(nèi)涵等方面的研究中找到一條可供湘繡工藝得以傳承與保護(hù)的新道路，使之繼續(xù)發(fā)揚(yáng)光大，永不泯滅。 文章首先介紹了湘繡的背景情況，分析了現(xiàn)代學(xué)者對(duì)湘繡的研究現(xiàn)狀。指出值得我們繼續(xù)發(fā)揚(yáng)的地方，并提出個(gè)人覺(jué)得不足還需進(jìn)一步改進(jìn)的地方。然后根據(jù)湘繡的歷史情況做一個(gè)具體的分析，讓我們更加地了解湘繡從誕生到發(fā)展到分類的具體情況，為后文的寫(xiě)作做好鋪墊。 接著針對(duì)湘繡的工具、原料、針?lè)�、制作工藝以及湘繡享譽(yù)全球的獨(dú)特技法來(lái)進(jìn)行初步研究，并以實(shí)際的作品案例來(lái)進(jìn)行探討分析。指出不同溯源的湘繡所產(chǎn)生的不同的設(shè)計(jì)文化。 文章最后將結(jié)合非物質(zhì)文化遺產(chǎn)保護(hù)與傳承的相關(guān)原則和方針，并依據(jù)各地區(qū)在相關(guān)方面取得的成果、經(jīng)驗(yàn)和教訓(xùn)等，對(duì)湘繡工藝的過(guò)去和現(xiàn)狀進(jìn)行全面、系統(tǒng)的分析研究，并在此基礎(chǔ)上提出比較有建設(shè)性的意見(jiàn)，以此能夠投礫引珠，為湘繡工藝的傳承與保護(hù)，為非物質(zhì)文化遺產(chǎn)的保護(hù)和復(fù)興，略盡綿薄之力。
[Abstract]:Along with the economic globalization and the rapid development of modern economy and society, a diversified world presented in front of us, people's appreciation, the living environment has changed enormously. The new awareness and the trend of machine production gradually at traditional crafts, especially the traditional embroidery handicraft special fine. We want to how can we ensure that the embroidery this ancient folk art not only lose its own inherent characteristics, but also can continue to innovate and develop? This paper tries to study the process and the origin of embroidery, inheritance and protection and other aspects, highlighting its humanistic spirit and cultural attributes of mining embroidery art value and social value and combined with the theory of cultural heritage protection and achievements, put forward the inheritance and protection of traditional embroidery art of the corresponding countermeasures and suggestions, so that the embroidery culture flourish, To maintain the vitality, make the "China embroidery town" reputation more brilliant, in order to ensure the long and traditional handicraft art magic can forever shine, indelible.
Its development is not Everything is going smoothly., it through the rough. Through collecting and sorting out the domestic and foreign scholars on embroidery, embroidery, traditional crafts, cultural characteristics and protection of intangible cultural heritage research papers and books, examples, get the corresponding research data, and proposes innovation. Also field trips Hunan Changsha, embroidery factory and folk workshop and record the production process thereof, so as to obtain the necessary basic information directly, really, in order to carry out the research.
I hope that through to its origin, classification, to find a new way of Hunan embroidery heritage and protection technology research of characteristics and cultural connotation and so on, to continue to carry forward, will never die.
This article first introduces the background of Hunan, analyzes the present research situation of modern scholars on embroidery. It is pointed out that we should continue to carry forward the place, and put forward the personal feel inadequate still need further improvement. Then make a concrete analysis according to the history of embroidery, let us more understanding of the birth and development of specific embroidery the classification, pave the way for later writing.
Then the embroidery stitch, tools, raw materials, production process and unique embroidery techniques all over the world to conduct a preliminary study, and based on the actual case of work to discuss. It is pointed out that different origin of the embroidery produced by the different design culture.
Finally, combining with the related principles and guidelines for the protection and inheritance of intangible cultural heritage, and on the basis of various regions in the relevant aspects of the achievements, experiences and lessons, full of past and present situation of embroidery, systematic analysis and study, and put forward more constructive comments, in order to vote gravel lead beads, embroidery for inheritance and protection, protection and revival of the intangible cultural heritage, Mianbaozhili.

【學(xué)位授予單位】：湖北工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J523.6

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 王飛;湖南湘繡專業(yè)人才培養(yǎng)模式改革研究[D];湖南師范大學(xué);2013年

本文編號(hào)：1762385