本文選題：剪影圖案　切入點(diǎn)：家用紡織品　出處：《東華大學(xué)》2012年碩士論文

【摘要】：剪影圖案作為剪紙的一種形式由來已久,曾于20世紀(jì)初風(fēng)靡于歐洲并傳遍五大洲的它有著獨(dú)特的美學(xué)特征和文化內(nèi)涵。隨著時(shí)代的發(fā)展、工藝的進(jìn)步,剪影圖案早已脫離了傳統(tǒng)的剪紙形式而成為裝飾圖案領(lǐng)域中的一員,且被應(yīng)用于越來越多的領(lǐng)域中。20世紀(jì)后半期以來,受現(xiàn)代主義藝術(shù)思潮的影響,剪影圖案在家用紡織品中的應(yīng)用更是不斷突破傳統(tǒng)的審美原則,多樣的題材、色彩、構(gòu)圖與工藝使其在視覺與形式上更顯豐富,風(fēng)格也日趨多樣化�；谶@樣的豐富性、多樣性,本課題主要針對(duì)剪影圖案進(jìn)行系統(tǒng)的理論分析與研究。 除卻剪影圖案作為剪紙藝術(shù)品的獨(dú)特裝飾性外,它也被廣泛應(yīng)用于紡織品設(shè)計(jì)中,本文從剪影圖案在家用紡織品中應(yīng)用的實(shí)際情況,分析其具體應(yīng)用形式及其獨(dú)有的美學(xué)特征,內(nèi)容涵蓋了剪影圖案的源流、造型特點(diǎn)及其在不同品類家用紡織品中的具體應(yīng)用形式、工藝手段、風(fēng)格表現(xiàn)、美學(xué)特征及其文化內(nèi)涵與流行成因等。 縱觀剪影圖案的整個(gè)發(fā)展史,它隨著剪紙的興起而橫跨了十幾個(gè)世紀(jì),它所獨(dú)具的具視覺沖擊力的外在形式深得人們的共鳴,并成為歷代設(shè)計(jì)師們創(chuàng)新的靈感來源與設(shè)計(jì)元素,為不同時(shí)期人們的生活增添了更多韻味。那么究竟是怎樣的因素使這一種化繁為簡(jiǎn)的圖案如此經(jīng)久不衰?它又有著怎樣獨(dú)特的藝術(shù)魅力?在古今中外的家用紡織品中它以一種怎樣的形式與風(fēng)格存在?這是本文研究的出發(fā)點(diǎn)。 由于剪影圖案更多的是強(qiáng)調(diào)一種視覺形式,它所包含的圖案題材與反應(yīng)的內(nèi)容繁多,源起于不同國(guó)家的剪影圖案所具有的審美特征與文化內(nèi)涵各不相同,在其發(fā)展過程中不斷添加的新內(nèi)容與新形式使剪影圖案的隊(duì)伍更顯龐大,眾多創(chuàng)新性的題材與表現(xiàn)手段更是不勝枚舉。目前對(duì)于這一課題進(jìn)行深入研究的資料甚少,相當(dāng)一部分基于剪紙而作的文章雖也涉及了部分內(nèi)容卻很有局限性,缺乏學(xué)術(shù)理論上的探討與分析,因此對(duì)其進(jìn)行分類整理就顯得較有必要,探討其流行背后的理論依據(jù),這是本文研究的必要性。 本文采用文獻(xiàn)法、圖案分析法對(duì)剪影圖案進(jìn)行源流探索、應(yīng)用分析,并歸類總結(jié)剪影圖案的造型表現(xiàn)與其在家用紡織品應(yīng)用中的表現(xiàn)手段,并結(jié)合其營(yíng)造的風(fēng)格找到圖案本身與現(xiàn)代流行的契合點(diǎn),為家用紡織品設(shè)計(jì)提供理論依據(jù)與更為廣闊的思路,這是本論文撰寫的目的。
[Abstract]:Silhouette pattern as a form of paper-cut has a long history, it was popular in Europe in the early 20th century and spread throughout the five continents, it has unique aesthetic characteristics and cultural connotations. Silhouette patterns have long been divorced from the traditional paper-cut form and become a member of the decorative design field, and have been applied in more and more fields since the second half of the 20th century, influenced by the modernist art trend. The application of silhouette patterns in household textiles is constantly breaking through the traditional aesthetic principles. The variety of themes, colors, composition and techniques make it more visual and formal, and increasingly diverse in style. Diversity, this subject mainly aimed at silhouette pattern carries on the systematic theory analysis and the research. In addition to the unique decorative nature of the silhouette as a paper-cut artwork, it is also widely used in textile design. This paper analyzes its specific application form and its unique aesthetic characteristics, including the source and stream of silhouette pattern, the modeling characteristics and its specific application form, craft means and style expression in different kinds of household textiles. Aesthetic characteristics, cultural connotations and popular causes. Throughout the history of the silhouette pattern, it has spanned over a decade of centuries with the rise of paper-cut, and its unique external form with visual impact has been deeply resonated with people. And become a source of inspiration and design elements of the past designers, for different periods of people's lives to add more lasting appeal. So what is the reason for this complex into a simple design so enduring? What unique artistic charm does it have? What kind of form and style does it exist in the home textiles all over the world? This is the starting point of this study. As silhouette patterns emphasize more on a visual form, they contain a wide range of themes and responses, and the aesthetic characteristics and cultural connotations of silhouette patterns originating in different countries are different. In the process of its development, new contents and new forms have been added to make the ranks of silhouette even larger, and many innovative subjects and means of expression are even more numerous. At present, there are very few materials for in-depth research on this subject. Although some of the articles based on paper-cut have some limitations and lack of academic theoretical discussion and analysis, it is necessary to sort them out and discuss the theoretical basis behind their popularity. This is the necessity of this paper. In this paper, the source and stream of silhouette patterns are explored by literature and pattern analysis, and the styling performance of silhouette patterns and their performance methods in household textiles are classified and summarized. Combined with the style of the design, we find out the fit point between the pattern itself and the modern fashion, and provide a theoretical basis and a broader train of thought for the design of household textiles, which is the purpose of this paper.
【學(xué)位授予單位】：東華大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類號(hào)】：J523.1

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本文編號(hào)：1682798