清代瓷器魚紋裝飾研究
本文關(guān)鍵詞: 清代 魚紋 裝飾特征 出處:《景德鎮(zhèn)陶瓷學(xué)院》2012年碩士論文 論文類型:學(xué)位論文
【摘要】:清代政治安定,經(jīng)濟(jì)繁榮,皇帝重視,瓷器的發(fā)展到達(dá)了鼎盛時(shí)期。魚紋是清代瓷器最具有代表性的瓷器裝飾紋樣之一,不僅給人以美的視覺(jué)感受,也更好的詮釋了鮮明的民族特色及深厚的文化內(nèi)涵。清代瓷器魚紋是裝飾藝術(shù)發(fā)展到一定階段的產(chǎn)物,這就需要我們以動(dòng)態(tài)及發(fā)展的眼光看待清代瓷器魚紋。我們應(yīng)繼承清代瓷器魚紋深厚的傳統(tǒng)文化內(nèi)涵,發(fā)展其裝飾藝術(shù)形式,為現(xiàn)代瓷器裝飾藝術(shù)設(shè)計(jì)提供理論參考,以求更好的將理論應(yīng)用于實(shí)踐。 本文主要把清代瓷器魚紋裝飾作為研究對(duì)象,由于魚紋屬于吉祥紋樣之一,因此本文首先對(duì)魚紋的起源與符號(hào)性,其象征性及吉祥寓意進(jìn)行闡述,第二部分主要結(jié)合清代特殊的政治和社會(huì)背景,闡述了影響清代瓷器魚紋發(fā)展的主要因素,本文重點(diǎn)論述了第三部分清代瓷器魚紋的裝飾特征,其包括構(gòu)圖形式、組合形式和裝飾手法三個(gè)方面,主要結(jié)合大量的圖片資料,,運(yùn)用圖像學(xué)、歷史學(xué)及藝術(shù)學(xué)的研究方法,對(duì)相關(guān)的現(xiàn)有文字資料和圖片資料進(jìn)行分析論述。本文主要表達(dá)了對(duì)瓷器魚紋裝飾作為瓷器裝飾內(nèi)容之一的認(rèn)同,并對(duì)瓷器魚紋裝飾的全面研究進(jìn)行有益的補(bǔ)充,為現(xiàn)代陶瓷藝術(shù)創(chuàng)作的發(fā)展與創(chuàng)新提供有益的啟示。
[Abstract]:During the Qing Dynasty, political stability, economic prosperity, the emperor attached importance to the development of porcelain reached its peak. Fish pattern is one of the most representative decorative patterns of porcelain in Qing Dynasty, which not only gives people a visual feeling of beauty. It also better interprets the distinct national characteristics and profound cultural connotations. Fish patterns of Qing Dynasty porcelain are the product of the development of decorative art to a certain stage. This requires us to look at the fish patterns of the Qing Dynasty porcelain from a dynamic and developing perspective. We should inherit the deep traditional cultural connotation of the fish patterns of the Qing Dynasty porcelain, develop its decorative art form, and provide a theoretical reference for the design of the modern porcelain decorative art. In order to better apply the theory to practice. This article mainly takes the Qing Dynasty porcelain fish grain decoration as the research object, because the fish grain belongs to one of the auspicious patterns, therefore this article first carries on the elaboration to the fish pattern origin and the symbol, its symbolic and auspicious moral. The second part mainly combines the Qing Dynasty special political and social background, elaborated the influence Qing Dynasty porcelain fish grain development main factor, this article elaborated the third part Qing Dynasty porcelain fish grain decoration characteristic, including the composition form. Combination form and decoration techniques, mainly combined with a large number of picture materials, the use of graphics, history and art research methods, This paper mainly expresses the recognition of fish pattern decoration as one of the contents of porcelain decoration, and makes a useful supplement to the comprehensive study of fish pattern decoration of porcelain. To provide useful inspiration for the development and innovation of modern ceramic art creation.
【學(xué)位授予單位】:景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2012
【分類號(hào)】:J527
【參考文獻(xiàn)】
相關(guān)期刊論文 前10條
1 陶思炎;中國(guó)魚文化的變遷[J];北京師范大學(xué)學(xué)報(bào);1990年02期
2 楊建宏,薛其林;論中國(guó)傳統(tǒng)士大夫的魚文化情結(jié)[J];長(zhǎng)沙大學(xué)學(xué)報(bào);2003年01期
3 高薇;王輝斌;;先秦兩漢文學(xué)中的魚文化[J];湖北經(jīng)濟(jì)學(xué)院學(xué)報(bào)(人文社會(huì)科學(xué)版);2008年01期
4 屠麗青;淺談形式美在陶瓷上的應(yīng)用[J];景德鎮(zhèn)陶瓷;2004年03期
5 鄭鑫;中國(guó)傳統(tǒng)藝術(shù)中的魚文化[J];南方文物;2003年02期
6 寧波;;影響魚文化的主要因素[J];中國(guó)水產(chǎn);2008年03期
7 賈光;;漢畫像中“魚”的解讀[J];商丘師范學(xué)院學(xué)報(bào);2008年04期
8 馮曉娟,陳新華;中國(guó)傳統(tǒng)設(shè)計(jì)中的魚文化[J];江南大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版);2004年02期
9 黃金輝;《詩(shī)經(jīng)》中的魚文化[J];咸寧師專學(xué)報(bào);1993年03期
10 姜素民;劉小紅;;淺析中國(guó)傳統(tǒng)審美的民俗性與“魚”文化[J];邢臺(tái)職業(yè)技術(shù)學(xué)院學(xué)報(bào);2008年04期
相關(guān)博士學(xué)位論文 前1條
1 袁承志;風(fēng)格與象征——魏晉南北朝蓮花圖像研究[D];清華大學(xué);2004年
本文編號(hào):1550139
本文鏈接:http://sikaile.net/jingjilunwen/lyjj/1550139.html