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青少年文化藝術(shù)中心設(shè)計(jì)研究

發(fā)布時(shí)間:2018-11-26 12:34
【摘要】:青少年文化藝術(shù)中心是一個(gè)充滿朝氣活力的地方:首先是建筑的設(shè)計(jì),必然是大膽的創(chuàng)新的,同時(shí)又有很高的科技含量。這個(gè)科技含量,不光是指在造型方面體現(xiàn)了前衛(wèi)的科學(xué)技術(shù)、建造技術(shù),也在生態(tài)方面會(huì)對(duì)環(huán)境有一定的保護(hù),起到與自然融為一體的作用。在青少年文化藝術(shù)中心里,內(nèi)部設(shè)置有圖書館、音樂排練室、電影放映廳、畫室、室內(nèi)滑板場(chǎng)、DIY工場(chǎng)、咖啡廳茶餐廳等能滿足青少年的文化藝術(shù)活動(dòng)需求的設(shè)施。也可以開發(fā)專門的像豆瓣同城那樣的方便參與活動(dòng)的APP。讓青少年文化藝術(shù)活動(dòng)與時(shí)代接軌,與國(guó)際接軌。青少年本身就是一群非常有活力的人群,在他們的帶動(dòng)之下,能夠體現(xiàn)城市的活力和城市的精神面貌,還能體現(xiàn)國(guó)家的文化藝術(shù)軟實(shí)力,反映了這個(gè)城市國(guó)際化的水平,同時(shí)還能帶動(dòng)創(chuàng)意產(chǎn)業(yè)的發(fā)展。目前現(xiàn)有的青少年文化藝術(shù)活動(dòng)的地方還存在一些問題,比如同經(jīng)營(yíng)性的商業(yè)性的場(chǎng)所混為一體,活動(dòng)的范圍通常都是在補(bǔ)習(xí)班或是在酒吧里,缺乏一個(gè)專屬于青少年的文化性的集中體現(xiàn)。還有一個(gè)問題,就是從一開始的規(guī)劃設(shè)計(jì)階段忽視了青少年這個(gè)本體的心理需求和審美需求。這考驗(yàn)了建筑師和設(shè)計(jì)師與跨學(xué)科的科學(xué)家、藝術(shù)家、甚至是青少年本身溝通交流協(xié)作的能力。這個(gè)過程稱為對(duì)使用者的設(shè)計(jì)賦權(quán)empower。在這個(gè)過程中是可以有更多的empower出現(xiàn)的。從而形成一個(gè)完整的,符合青少年心理需求、審美需求的青少年文化藝術(shù)中心的設(shè)計(jì)。那么這篇論文探討的意義就是希望能解決這些問題,并為城市規(guī)劃設(shè)計(jì)一個(gè)更理想的青少年文化藝術(shù)中心。
[Abstract]:The center of youth culture and art is a place full of vigor and vitality: the first is the design of architecture, which is bound to be bold and innovative, and at the same time has a high scientific and technological content. This science and technology content not only refers to the avantgarde science and technology in the modelling aspect, the construction technology, also can have the certain protection to the environment in the ecology aspect, plays the role of integration with the nature. In the Youth Culture and Art Center, there are facilities such as library, music rehearsal room, movie studio, indoor skateboard, DIY workshop, coffee shop and so on, which can meet the cultural and artistic needs of young people. It is also possible to develop a dedicated APP. that is as accessible as Douban Tongcheng. Let youth cultural and artistic activities in line with the times, and international standards. Teenagers themselves are a group of very energetic people. Under their leadership, they can reflect the vitality of the city and the spirit of the city, as well as the cultural and artistic soft power of the country, reflecting the level of internationalization of this city. At the same time, it can also drive the development of creative industries. At present, there are still some problems in the existing cultural and artistic activities of young people, such as mixing with commercial places of operation. The scope of activities is usually in cram schools or bars. There is a lack of a concentrated embodiment of the cultural nature that belongs to teenagers. Another problem is that from the initial stage of planning and design, the psychological and aesthetic needs of teenagers are ignored. This tests the ability of architects and designers to communicate and collaborate with interdisciplinary scientists, artists, and even teenagers themselves. This process is called Design-Empowerment empower. for users In this process, there can be more empower. Thus forming a complete, in line with the psychological needs of young people, aesthetic needs of youth culture and art center design. The significance of this paper is to solve these problems and to design a more ideal youth culture and art center for urban planning.
【學(xué)位授予單位】:魯迅美術(shù)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:TU242.4

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2 李勃;;當(dāng)代青少年審美特征及其歸因分析[J];中國(guó)青年研究;2009年06期

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