【摘要】：中國(guó)古代城市規(guī)劃有強(qiáng)烈的“風(fēng)景意識(shí)”,無(wú)論是富裕還是貧弱,或是中原還是邊疆,古人都能夠?qū)Τ鞘屑爸苓吷剿h(huán)境進(jìn)行風(fēng)景的發(fā)掘、營(yíng)造、保護(hù)和提升,形成多樣化的地方風(fēng)景,然而古代的風(fēng)景營(yíng)造理論在當(dāng)代逐漸被忽視,因此,本文嘗試以鳳翔古城作為研究對(duì)象,梳理傳統(tǒng)風(fēng)景秩序的演進(jìn)過(guò)程,探討傳統(tǒng)風(fēng)景秩序的現(xiàn)狀及問(wèn)題,并探索傳統(tǒng)風(fēng)景秩序在當(dāng)代如何傳承。本文通過(guò)實(shí)地調(diào)研、文獻(xiàn)研究,梳理了鳳翔古城空間生長(zhǎng)脈絡(luò),探討了鳳翔城內(nèi)、城外風(fēng)景構(gòu)成要素及其之間的風(fēng)景關(guān)聯(lián),分析了鳳翔歷史城市風(fēng)景秩序的現(xiàn)狀及其問(wèn)題,并針對(duì)問(wèn)題提出了意見(jiàn)。本文認(rèn)為鳳翔歷史城市風(fēng)景秩序由“城”“郊”“野”三個(gè)圈層的組成,即“城”圈層風(fēng)景營(yíng)造結(jié)合自然,“郊”圈層風(fēng)景建設(shè)融于自然,“野”圈層風(fēng)景建設(shè)融合自然,古代風(fēng)景營(yíng)造,不單單是創(chuàng)建一個(gè)風(fēng)景點(diǎn),更是尋求風(fēng)景之間的關(guān)聯(lián),尋求風(fēng)景點(diǎn)與周邊自然山水的關(guān)系,最終形成人工與自然相融合的風(fēng)景體系。本文認(rèn)為鳳翔歷史城市風(fēng)景秩序正在逐漸消失,并從“城”“郊”“野”三個(gè)層面,提出了當(dāng)代風(fēng)景的構(gòu)建原則,即傳承傳統(tǒng)風(fēng)景的要素,傳承風(fēng)景結(jié)合自然、融于自然、依托自然的理念,傳承風(fēng)景要素之間的風(fēng)景關(guān)聯(lián)。對(duì)歷史城市風(fēng)景秩序的研究,有助于了解古代風(fēng)景營(yíng)造的規(guī)律特征及其理念智慧,為當(dāng)代城市風(fēng)景營(yíng)造提供歷史經(jīng)驗(yàn),對(duì)喚回城市歷史精神、修正城市現(xiàn)實(shí)問(wèn)題有借鑒意義。以鳳翔為研究對(duì)象,可指導(dǎo)鳳翔未來(lái)的規(guī)劃與建設(shè)。
[Abstract]:In ancient China, there was a strong sense of "scenery" in urban planning. Whether rich or weak, Central Plains or Frontier, the ancients were able to excavate, create, protect and upgrade the landscape of the city and its surrounding landscape. The formation of diverse local scenery, but the ancient landscape construction theory is gradually ignored in the contemporary, therefore, this paper attempts to Fengxiang ancient city as the research object, combing the evolution of the traditional landscape order process, This paper probes into the present situation and problems of the traditional landscape order, and explores how to inherit the traditional landscape order in the contemporary era. Through field investigation and literature study, this paper combs the spatial growth context of Fengxiang ancient city, probes into the elements of landscape composition in and out of Fengxiang city, and analyzes the present situation and problems of the landscape order of Fengxiang historical city. Some suggestions are put forward in view of the problem. This paper holds that the landscape order of Fengxiang historical city is composed of three layers of "city" and "suburb" and "wild", that is, "city" circle landscape construction combined with nature, "suburb" circle landscape construction merging with nature, "wild" circle landscape construction merging nature. The ancient landscape construction is not only to create a scenic spot, but also to seek the relationship between the scenic spot and the surrounding natural landscape, and finally to form a landscape system of artificial and natural integration. This paper holds that the landscape order of Fengxiang historical city is gradually disappearing, and puts forward the construction principles of contemporary landscape from three aspects of "city" and "suburb" and "wild", that is, inheriting the elements of traditional scenery, inheriting landscape combining nature, and merging with nature. Relying on the concept of nature, the inheritance of landscape elements between the landscape. The study on the order of historical city scenery is helpful to understand the law and wisdom of ancient landscape construction, to provide historical experience for contemporary urban landscape construction, to call back the city's historical spirit and to correct the urban realistic problems. Taking Fengxiang as the research object, it can guide the planning and construction of Fengxiang in the future.
【學(xué)位授予單位】：西安建筑科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：TU984.2

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本文編號(hào)：2138565