本文選題：臨夏　切入點(diǎn)：清真寺　出處：《西北民族大學(xué)》2017年碩士論文

【摘要】：伊斯蘭教傳入中國(guó)后,隨著不斷傳播和發(fā)展,研究伊斯蘭教的學(xué)者開(kāi)始慢慢增多,對(duì)清真寺建筑的研究也逐步深入。所在區(qū)域的不同、文化的差異,清真寺的建筑規(guī)模形制以及裝飾裝修等也大不相同。在中國(guó),清真寺建筑林立的地區(qū)比比皆是,幾經(jīng)考慮,最終選擇臨夏地區(qū)的清真寺建筑為主要研究的目標(biāo),主要原因有三:一是臨夏地區(qū)自伊斯蘭教傳入到今天,不管是戰(zhàn)亂還是變革,伊斯蘭文化一直在傳承,從未中斷,是中國(guó)伊斯蘭文化傳播的一個(gè)中心。二是臨夏地區(qū)特殊的地理環(huán)境,多民族的融合,創(chuàng)造出了獨(dú)具特色的伊斯蘭文化和建筑。建筑是文化的一個(gè)載體,而伊斯蘭文化的載體就是清真寺建筑,臨夏地區(qū)的清真寺建筑可以說(shuō)是中國(guó)清真寺建筑的一個(gè)縮影,也是伊斯蘭建筑文化和中國(guó)傳統(tǒng)建筑文化以及中國(guó)回族建筑文化完美融合的一個(gè)物化表現(xiàn)。其自身具有建筑、歷史、文化、藝術(shù)和宗教等方面的價(jià)值,非常值得去深入和研究。三是臨夏和蘭州相距不遠(yuǎn),交通便利,方便本人實(shí)施田野的調(diào)查。本篇文章是在對(duì)伊斯蘭文化和清真寺建筑的豐富的史料文獻(xiàn)基礎(chǔ)上,再結(jié)合臨夏地區(qū)的清真寺建筑實(shí)例,把清真寺建筑藝術(shù)放在整體的宏觀的伊斯蘭文化和民族文化的格局中,從清真寺的建筑概述、建筑風(fēng)格與特色、建筑裝飾藝術(shù)、建筑中蘊(yùn)含的宗教理念這幾個(gè)方面進(jìn)行描述和分析。并且運(yùn)用大量的清真寺建筑實(shí)例,通過(guò)縱向比較清真寺建筑的起源發(fā)展和清真寺建筑的中國(guó)化,總結(jié)出清真寺建筑發(fā)展變化的特點(diǎn)。論文是在前人的研究成果之上,對(duì)清真寺建筑藝術(shù)的進(jìn)一步深入研究,是在宗教學(xué)、宗教社會(huì)學(xué)的視野下對(duì)清真寺建筑的解讀,具有一定的客觀性、可參考性和創(chuàng)新性。
[Abstract]:After Islam was introduced into China, with the continuous spread and development of Islam, the number of scholars studying Islam began to increase slowly, and the study of mosque architecture gradually deepened. The size of mosques and the decoration and decoration of mosques are also very different. In China, mosques are full of buildings. After several considerations, they finally chose the mosques in Linxia as the main research goal. There are three main reasons: first, from the introduction of Islam in Linxia to today, whether it is war or change, Islamic culture has been passed on and never stopped. It is a center for the dissemination of Islamic culture in China. Second, the special geographical environment of Linxia region, the integration of many nationalities, has created a unique Islamic culture and architecture. Architecture is a carrier of culture. And the carrier of Islamic culture is the mosque building. The mosque building in Linxia region can be said to be a miniature of the Chinese mosque building. It is also a materialized manifestation of the perfect integration of Islamic architectural culture with Chinese traditional architectural culture and Chinese Hui architectural culture. It has its own architectural, historical, cultural, artistic and religious values. This article is based on abundant historical documents on Islamic culture and mosque architecture. Combined with the example of mosque architecture in Linxia area, the art of mosque architecture is put into the overall macro Islamic culture and national culture pattern. From the overview of mosque architecture, architectural style and characteristics, architectural decoration art, The religious ideas contained in the architecture are described and analyzed in this paper, and through the vertical comparison of the origin and development of the mosque architecture and the localization of the mosque architecture, a large number of examples of the mosque architecture are used to compare the origin and development of the mosque architecture and the localization of the mosque architecture. This paper summarizes the characteristics of the development and change of mosque architecture. Based on the previous research results, the thesis further studies the art of mosque architecture, which is the interpretation of mosque architecture from the perspective of religion, religion and sociology. It is objective, referential and innovative.
【學(xué)位授予單位】：西北民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：B967;TU252

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本文編號(hào)：1668251