本文關(guān)鍵詞：林紓的言情小說觀，由筆耕文化傳播整理發(fā)布。

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1)  On LinShu s Lover Novel Theory

林紓的言情小說觀

2)  love story

言情小說

1.

From the perspective of history and aesthetics,Yuanyanghudie School played an important role in the transition from Chinese traditional novels about bel esprit et belle to modern love story.

從歷史和美學(xué)的角度研究 ,鴛鴦蝴蝶派對(duì)傳統(tǒng)的才子佳人小說向現(xiàn)代言情小說的嬗變起了重要作用。

2.

Since May 4~(?)new culture movement,the female social position and their education degree is improving coutinually,the female are paid more attention to and their reading ability is also enhanced continually,the gravity canter of love story is turning from male to the female.

言情小說,作為通俗文學(xué)的一種,是為了滿足讀者期待視野的一種存在。

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3)  Love novel

言情小說

1.

The influence that the modern love novels on the early love movies mainly reflects on two aspects: the first is the adapt of the popular literature of the ancient times and the modern times,the former such as the "Historical Movie",the latter such as "The Spirit of Yu and Li";The second is the authors that writing popular novels taking part in,such as Bao tian-xiao、Qin shou-ou、Zhoushou-juan etc.

早期愛情片受現(xiàn)代言情小說的影響主要體現(xiàn)在兩個(gè)方面,一是對(duì)古代和現(xiàn)代通俗文學(xué)的改編,前者如稗史片,后者如《玉梨魂》;二是通俗小說作家的加入,如包天笑、周瘦鵑、秦瘦鷗等人。

2.

Love novels of early Nationalist period inclined to be solely about love and sentimental.

通俗言情小說在清末民初迅速興起 ,既與文學(xué)傳統(tǒng)有關(guān) ,又受社會(huì)文化構(gòu)成因素與發(fā)展?fàn)顩r制約。

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4)  romantic novels

言情小說

1.

Qinhaishi is no doubt an outstanding work among the romantic novels of the Late Qing dynasty.

實(shí)際上,同為晚清社會(huì)言情小說,符霖的《禽海石》無論在主題意蘊(yùn)的豐富性、思想傾向的進(jìn)步性方面,還是在小說敘事藝術(shù)的試驗(yàn)與探索方面,其成就均在吳趼人的《恨海》之上。

2.

The mass culture criticism, which carries on the school of Frankfurt, regards readers of romantic novels as unqualified them.

秉承法蘭克福學(xué)派的大眾文化批評(píng)把言情小說的讀者視為不合格的“她們(them)”。

3.

His romantic novels are well known at that time and he is reputed as“master of bitter romance”.

周瘦鵑是民初“鴛鴦蝴蝶――《禮拜六》派”的代表作家,他的言情小說在當(dāng)時(shí)堪稱一絕,使他享有“哀情大師”的聲譽(yù)。

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5)  love novels

言情小說

1.

The pleasure of contemporary love novels are always in the level of reasonable human nature.

快感是當(dāng)代言情小說所具有的大眾文化特征之一。

2.

With objective of love novels, the most representative literature in the Saturday, this paper aims to do some research about the options between western and eastern ways made by the writers of the Saturday.

本文將《禮拜六》中數(shù)量最多、最具代表性的言情小說作為考察對(duì)象,從分析悲劇意識(shí)入手,揭示《禮拜六》作家在傳統(tǒng)與西方之間的取舍,辨證的看待這些一向被視為逆流的作品,給予它們客觀的評(píng)價(jià)。

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6)  romantic fiction

言情小說

1.

Popular fiction is flourishing in the states after the World WarⅡ,and it bring about the innovation of romantic fiction both in depth and extent.

言情小說是通俗小說中的一個(gè)重要類型,它是小說這種文學(xué)形式興起之初就存在的小說類別,歷史悠久、影響深遠(yuǎn)。

2.

His romantic fictions not only deal with love,but also contain quite profound awakening thought;his swordsman fictions often use the chivalrous swordsmen in works to express his ideals that eradicate injustice and revitalize Huaxia.

顧明道是中國(guó)近代文學(xué)史上一位知名通俗小說作家,其言情小說非獨(dú)哀情,也是醒世的,蘊(yùn)含著十分深刻的思想內(nèi)涵;其武俠小說常借俠客形象以寄寓除暴安良、振興華夏之理想。

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補(bǔ)充資料：言情小說

所謂“言情”，就是“說愛情”，或者叫“講述愛情”，而言情小說，自然就是講述愛情的故事。

但言情小說同愛情小說來比較還有一些區(qū)別，因?yàn)�，所謂“言”，就多少帶有一些不真實(shí)的調(diào)侃的意味，，所以說，言情通俗說是一種快餐文學(xué)，是那種比較夢(mèng)幻、脫離現(xiàn)實(shí)的，是女孩子的成人童話。

當(dāng)然，還有一種比較有意思的理解，那就是：

“言情小說對(duì)于未戀愛的人來說是向往

對(duì)于戀愛中的人來說是經(jīng)書

對(duì)于失戀的人來說是痛苦的回憶

對(duì)于幸福的人來說是消遣

對(duì)于作者來說它只是為了賺人眼淚”

說明：補(bǔ)充資料僅用于學(xué)習(xí)參考，請(qǐng)勿用于其它任何用途。

  本文關(guān)鍵詞：林紓的言情小說觀，由筆耕文化傳播整理發(fā)布。