本文選題：評劇　切入點：現(xiàn)代戲　出處：《中國藝術(shù)研究院》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：評劇,我國北方最有影響力的地方劇種之一,自誕生至今已有百余年的歷史。扎根百姓、反映生活、謳歌時代是評劇創(chuàng)作的傳統(tǒng)。評劇是一個具有戰(zhàn)斗精神的劇種,現(xiàn)代戲的創(chuàng)作是它的優(yōu)長。自評劇創(chuàng)始人成兆才開始,各時期的劇作家取材于現(xiàn)實生活,創(chuàng)作了大量的現(xiàn)代戲作品。用作品記錄時代風(fēng)貌,反映社會問題,傳承民族文化,取得了令人矚目的創(chuàng)作成就。本文分為:建國前,建國至改革開放,改革開放至新世紀(jì),新世紀(jì),評劇現(xiàn)代戲劇本創(chuàng)作四個章節(jié)。通過整理、研究評劇現(xiàn)代戲的創(chuàng)作脈絡(luò),對經(jīng)典作品加以分析,從而梳理出各時期的創(chuàng)作走向進(jìn)行,以戲曲文學(xué)理論中的戲曲創(chuàng)作理論作為切入點,捕捉評劇現(xiàn)代戲的創(chuàng)作趨勢和發(fā)展規(guī)律,從而補充評劇現(xiàn)代戲的研究成果,有助于未來評劇現(xiàn)代戲創(chuàng)作的發(fā)展。
[Abstract]:Drama criticism, one of the most influential local operas in the north of China, has a history of more than 100 years since its birth. It is a tradition to take root in the people, to reflect life, and to eulogize the times. The creation of modern drama is its superior. The founder of self-criticism drama Cheng Zhaocai began, and playwrights of each period drew on the real life, created a large number of modern drama works, used the works to record the style of the times, reflect the social problems, and inherit the national culture, and use the works to record the style of the times, reflect the social problems, and inherit the national culture. This paper is divided into four chapters: before the founding of the people's Republic of China, from the founding of the people's Republic of China to the reform and opening up to the outside world, from the reform and opening up to the new century, from the new century to the new century. By analyzing the classical works and combing out the creation trend of each period, taking the opera creation theory in the drama literature theory as the breakthrough point, we can catch the creation trend and development law of the modern drama. Thus supplement the research results of modern drama criticism, contribute to the future development of modern drama criticism.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.36

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