【摘要】：現(xiàn)代纖維藝術(shù)中材料已成為纖維藝術(shù)創(chuàng)作的基礎(chǔ)和靈魂,這也是纖維藝術(shù)創(chuàng)作不同于其它藝術(shù)創(chuàng)作的特點之一,因而現(xiàn)代纖維藝術(shù)創(chuàng)作的表現(xiàn)形式也一反傳統(tǒng)的構(gòu)思——材料——制作——再現(xiàn)的模式,而是將材料——創(chuàng)意——工藝制作,三個方面的因素構(gòu)成一個完整的綜合體。纖維藝術(shù)的創(chuàng)作是體現(xiàn)作者對材料創(chuàng)意的構(gòu)想,工藝是完成和體現(xiàn)這種構(gòu)想的一種特殊的媒介手段。現(xiàn)代纖維藝術(shù)是材料的藝術(shù),是材料的創(chuàng)意表現(xiàn),這也是當下從事纖維藝術(shù)創(chuàng)作的人們所普遍關(guān)注的問題。隨著現(xiàn)代科技的迅猛發(fā)展,各種新型材料不斷涌現(xiàn),擴充了現(xiàn)代纖維藝術(shù)的空間領(lǐng)域,同時也給設(shè)計者帶來了更多思考：如何選擇材料,如何展開創(chuàng)意,如何構(gòu)架新的表現(xiàn)形式,如何在傳統(tǒng)工藝的基礎(chǔ)上探索采用新的制作手段,如何體現(xiàn)新的設(shè)計理念等等,本文也就這些問題展開論述,并力求在纖維藝術(shù)材料語言的運用、創(chuàng)意上有一些新意。 在寫作過程中,作者也進一步認識到任何藝術(shù)作品的成功與否的關(guān)鍵在于能否把握這種藝術(shù)語言的本質(zhì)及其語境表現(xiàn)的準確性、創(chuàng)意性、觀念性。只有充分把握現(xiàn)代纖維藝術(shù)的材料語言,進行創(chuàng)意思維才能創(chuàng)作出藝術(shù)精品。
[Abstract]:In modern fiber art, material has become the foundation and soul of fiber art creation, which is one of the characteristics of fiber art creation which is different from other art creation. Therefore, the expression form of the modern fiber art creation is also contrary to the traditional idea-material-making-reproduction mode, but the material-creativity-craft production, three aspects of the factors constitute a complete synthesis. The creation of fiber art embodies the author's idea of material creativity, and craft is a special medium means to complete and embody this idea. Modern fiber art is the art of materials and the creative expression of materials, which is also a common concern of people engaged in fiber art creation. With the rapid development of modern science and technology, a variety of new materials continue to emerge, expanding the space of modern fiber art, but also brought more thought to designers: how to choose materials, how to develop creativity, How to construct a new form of expression, how to explore the use of new production methods on the basis of traditional technology, how to reflect the new design concept and so on, this paper also discusses these problems, and strives to use the language of fiber art materials. There is something new in creativity. In the process of writing, the author further realizes that the key to the success of any artistic work is to grasp the essence of the artistic language and the veracity, creativity and idealism of the artistic language and its contextual expression. Only by fully grasping the material language of modern fiber art and creative thinking can we create fine art.
【學(xué)位授予單位】：魯迅美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J523

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相關(guān)期刊論文 前1條

1 葛令田;;淺談纖維藝術(shù)的表現(xiàn)形式及材料的藝術(shù)魅力[J];北方文學(xué)(下半月);2011年03期

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