本文選題：德意志博物館 + 組織模式�。� 參考：《裝飾》2017年06期

【摘要】：展示設(shè)計行業(yè)的本質(zhì)特征,決定了它與社會、科學和經(jīng)濟發(fā)展的不可分割性。展示文化是建立在社會發(fā)展上的一種已傳達信息為基本目的、富于審美感官的綜合體現(xiàn)。德意志博物館作為具有110多年歷史代表性的綜合型博物館,其多年的建館、策劃、運營、維護以及發(fā)展的經(jīng)驗可以是中國博物館,特別是科普類展館的寶貴借鑒。本文主要就博物館的宏觀組織模式,以及微觀展示設(shè)計與德意志博物館設(shè)計團隊進行了深入交流,揭示了德意志博物館百年積淀的展示文化幕后的工作與研究。相較而言,中國科普類博物館目前還存在不足,在發(fā)展中遇到一些專業(yè)和運營問題。本文通過借鑒和對比性研究,提出一些客觀合理化的建議,以此為中國的科普類博物館發(fā)展提供實操上的經(jīng)驗借鑒。
[Abstract]:Showing the essential characteristics of the design industry determines its indivisibility with social, scientific and economic development. Display culture is a kind of comprehensive embodiment of aesthetic sense, which is based on social development and has transmitted information as its basic purpose. As a comprehensive museum with more than 110 years of history, the German Museum's experience of building, planning, operating, maintaining and developing for many years can be a valuable reference for the Chinese museum, especially the exhibition hall of popular science. This paper mainly discusses the macroscopic organization mode of the museum and the microcosmic display design with the design team of the German Museum, and reveals the behind-the-scenes work and research of the exhibition culture accumulated in the German museum for a hundred years. In contrast, there are still some shortcomings in the development of Chinese popular science museums, and some professional and operational problems are encountered in their development. Based on the reference and comparative study, this paper puts forward some objective and reasonable suggestions, so as to provide practical experience for the development of science popularization museums in China.
【作者單位】： 清華大學美術(shù)學院;
【分類號】：G269.1

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本文編號：1876817