本文關(guān)鍵詞： 四大名硯 米芾 紅絲 石色 研史 歙石 風字硯 硯譜 墨池 澄泥硯 　出處：《新美術(shù)》2014年05期 　論文類型：期刊論文

【摘要】：正歙硯作為四大名硯之一,一直以來屈居于紅絲、端硯之后,這主要是歷代文人對其認識相對較晚,并非因其作為硯的材質(zhì)上有所遜色。宋米芾《研史·用品》云:"器以用為功……夫如是則石理發(fā)墨為上,色次之,形制工拙又其次,文藻緣飾雖天然,失研之用。"~1可見古人于硯首重石質(zhì),其次石色,最后才是形制。石質(zhì)石色,前人述之已詳,唯形制多一筆帶過。雖然形制不是硯臺的最重要之處,但由于硯臺兼具文房把玩的功能,文人往往不經(jīng)意間將自我的審美情趣融入其間,遂使硯臺形制豐富多彩,別具文化歷史內(nèi)涵。這其
[Abstract]:As one of the four famous ink stones, Zheng she inkstone has been standing in Yu Hong's silk for a long time, and after Duan inkstone, this is mainly due to the relatively late understanding of her by literati in the past dynasties. It is not because of its inferior quality as an inkstone. Song Mi Fu, "Research History 路supplies" cloud: "the use of the device as a merit. If the husband is stone haircut ink, color second, the shape of the industry is clumsy and second, although the floral edge decoration is natural, We can see that the ancients had the first stone quality in the ink stone, the second stone color, and the final form. The stone color was described in detail by the predecessors, but the shape system was more than a stroke. Although the shape system is not the most important part of the inkstone, However, because the inkstone has the function of playing in the literary room, the literati often inadvertently incorporate the aesthetic taste of themselves into it, which makes the shape of the inkstone rich and colorful, and has special cultural and historical connotations.
【分類號】：K875.4

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