新媒介視域下的景德鎮(zhèn)傳統(tǒng)陶瓷制作工藝傳承研究
發(fā)布時間:2018-02-25 18:08
本文關(guān)鍵詞: 傳承研究 景德鎮(zhèn)陶瓷 瓷業(yè) 歷史變化 新媒體發(fā)展 裝飾技法 家族式 畫坯 利坯 批量化生產(chǎn) 出處:《藝術(shù)評論》2014年07期 論文類型:期刊論文
【摘要】:正一、新媒介與景德鎮(zhèn)傳統(tǒng)瓷業(yè)傳承的局限性隨著近年來傳統(tǒng)單一媒體向新興多元媒體的迅猛發(fā)展,傳統(tǒng)陶瓷領(lǐng)域也面臨著諸多深刻而重大的歷史變化與影響。新媒介本身內(nèi)涵從無到有、從寬泛到集中的探究日趨豐富。目前雖無一致的界定,但與新媒體或傳播學(xué)為主要領(lǐng)域的新技術(shù)與新媒體的復(fù)合為主要共性,具體體現(xiàn)如有偶發(fā)、碎片、個體化、互動性等等。按近期中國社科院新媒體藍皮書,
[Abstract]:First, the limitations of new media and Jingdezhen traditional porcelain industry inheritance along with the rapid development of traditional single media to emerging multi-media in recent years. The traditional ceramic field is also faced with many profound and significant historical changes and influences. The connotation of the new media itself from scratch, from broad to concentrated exploration is increasingly rich. Although there is no consistent definition, But the combination of new technologies and new media, which is mainly in the field of new media or communication, is the main commonality, such as accidental occurrence, fragmentation, individualization, interactivity, etc. According to the recent blue book on new media of the Chinese Academy of Social Sciences,
【作者單位】: 景德鎮(zhèn)陶瓷學(xué)院陶瓷美術(shù)學(xué)院;景德鎮(zhèn)陶瓷學(xué)院中國陶瓷文化研究所;
【基金】:江西省省社科“十二五”規(guī)劃項目(13YSQ03)階段性成果
【分類號】:J527
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