本文關(guān)鍵詞：德國大型會展中心建筑設(shè)計(jì)專題考察，由筆耕文化傳播整理發(fā)布。

主　編：黃居正
副主編：龔　愷
編輯部主任：李　東
責(zé)任編輯：李　東　　薛 力
實(shí)習(xí)編輯：易　娜

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合辦：東南大學(xué)建筑系

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第0362號
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■ 國外建筑與理論研究

從自然流露到刻意表現(xiàn)——當(dāng)代西方高技派建筑賞析
彭一剛

摘　要：本文通過對人類建筑結(jié)構(gòu)技術(shù)發(fā)展的歸納，把現(xiàn)代建筑與結(jié)構(gòu)形式之間的關(guān)系表敘為自然流露。并著重對以福斯特、羅杰斯和皮亞諾等人為代表的"高技派"建筑進(jìn)行介紹，具體剖析了它們?nèi)绾纬浞掷卯?dāng)今科學(xué)技術(shù)的新成就，力圖通過自己的作品來展現(xiàn)其誘人的魅力。
關(guān)鍵詞：自然流露 刻意表現(xiàn) 高技派建筑
Abstract: On the basis of analyzing the development of the human structure technology, this paper regards the relations between Modern architecture and structure form as a natural revelation. It emphatically introduces the works of West High-tech architecture and make a concrete study on the way how they made full use of the latest achievements in science and technology so as to express their unique artistic charm through the works themselves. Key Words: Natural revelation Painstaking expression High-tech architecture

德國大型會展中心建筑設(shè)計(jì)專題考察 許懋彥 王曉歐 張音玄

摘　要：德國作為一個會展業(yè)大國，擁有一批功能齊全、設(shè)施先進(jìn)的大型會展中心。本文在概述其發(fā)展歷史的基礎(chǔ)上，重點(diǎn)就這些大型會展中心的平面模式和豎向模式、展館規(guī)模及展廳單元、配套設(shè)施和功能及布局進(jìn)行比較論述；并就其結(jié)構(gòu)和防火設(shè)計(jì)、智能化管理系統(tǒng)及生態(tài)節(jié)能措施的應(yīng)用作出評介。文章最后總結(jié)了德國會展中心的發(fā)展建設(shè)對我國場館建設(shè)的啟示。
關(guān)鍵詞：德國 大型會展中心 建筑設(shè)計(jì) 技術(shù)設(shè)計(jì)
Abstract: Germany is famous for its convention and exhibition industry, with many large scaled convention and exhibition centers of versatile functions and advanced facilities. This paper presents a history of development of the convention and exhibition centers in Germany, focusing on their plane and vertical modes, the scales of the exhibition halls, their exhibition hall units, the associated facilities, and their functional and overall arrangements. The paper also discusses problems concerning their structures, fireproof designs, intelligent management systems and related ecological energy-saving measures. In the end, some comments are made to highlight the enlightenment that can be gained for the similar designs and constructions in China. Key Words: Germany， large scaled convention and exhibition center, architectural design, technical design

莫內(nèi)歐"反應(yīng)建筑"的思想與理論 后德仟

摘　要：拉菲爾·莫內(nèi)歐作為西班牙建筑師的國際性代表人物，一直是西班牙建筑思想和理論的代表人物，并影響了歐洲近年來的建筑發(fā)展。莫內(nèi)歐的思想精華表現(xiàn)在"反應(yīng)建筑"的思想和理論。本文以深入淺出的方式，，將這個思想體系的來龍去脈作了一個簡要的評價，并以巴塞羅那麗島商業(yè)中心為例。
關(guān)鍵詞：反應(yīng)建筑 人文建筑 歷史傳承 問題與解決
Summary: Rafael Moneo, as one of the most representative Spanish architects of reknown prestige worldwide, has been during decades a constant reference in the field of Spanish architectural ideology and theories, which contribution also has furnished to a great extent of the iastest tendency in European architecture. The essence of Moneo's thought was reflected in his ideas and theories so-called "Reflection Architecture", In this short essay we will adopt a penetrating methodology but by way of plain language for presenting a brief abstract about his original thought and the future transcendence, taking the L'lle Comercial Center as an example. Key Words: Reflection Architecture Humanistic Architecture Historical inheritance Problems and solutions

日本現(xiàn)代空間與材料表現(xiàn)(二)——日本鋼鐵建筑中的結(jié)構(gòu)造型表現(xiàn)

王靜

摘　要：在日本當(dāng)代鋼鐵建筑中，由于鋼鐵結(jié)構(gòu)與材料技術(shù)的成熟，設(shè)計(jì)的追求已不再僅僅是結(jié)構(gòu)的宏偉與革新，而是轉(zhuǎn)向如何將結(jié)構(gòu)作為一種表現(xiàn)元素與造型設(shè)計(jì)相結(jié)合，體現(xiàn)一種忠實(shí)于結(jié)構(gòu)邏輯的理性造型藝術(shù)。本文選取鋼鐵結(jié)構(gòu)造型表現(xiàn)為主題，介紹日本當(dāng)代鋼鐵建筑設(shè)計(jì)中的這一趨勢。
關(guān)鍵詞：鋼鐵建筑 結(jié)構(gòu)造型 鑄鋼
Abstract: In the contemporary Japanese steel architecture, because steel structure and material technology are grown, the pursuit of design is not only to seek the grand and innovation of structure, but also to convert how to combine structure as an expression element with form design, expressing reasonable form art which is truth to structure logical. This paper makes steel structure form expression as subject, and introduces this trend in the contemporary Japanese steel architecture.

再論"空間句法" 　　　　[瀏覽全文] 張 愚 王建國

■ 建筑走廊

從傳統(tǒng)走向未來——印度建筑師查爾斯·柯里亞 朱宏宇

摘　要：印度建筑師查爾斯·柯里亞是世界知名的建筑大師。在40余年的建筑實(shí)踐中，他走出了一條獨(dú)具印度特色的當(dāng)代鄉(xiāng)土建筑之路。為發(fā)展中國家的建筑師樹立了一個攀登世界建筑高峰的榜樣。本文以傳統(tǒng)和現(xiàn)代為切入點(diǎn)，從文化價值的角度出發(fā)，結(jié)合查爾斯·柯里亞深邃的建筑思想和人生哲學(xué)，對其作品及其創(chuàng)作手法進(jìn)行深入的剖析，從而全面地解讀查爾斯·柯里亞是如何地"能輕而易舉地把過去重新轉(zhuǎn)化為一種卓越非凡的作品。"
關(guān)鍵詞：查爾斯·柯里亞、傳統(tǒng)、現(xiàn)代、色彩、曼荼羅、漫步建筑學(xué)
Abstract：Indian architect Charles Correa is a well-known master of architecture in the world. In his practice over 40 years, Correa has broken an Indian distinct path of contemporary vernacular architecture. He sets an example of scaling the world architectural heights for architects in developing countries. This paper takes tradition and modern as the point of contact of theory. From the angle of the culture value, it deeply dissects Charles Correa's works and means of design in propound thoughts of architecture and philosophy of life. Thus come to all-sidedly understand Charles Correa how to be "able to reintegrate the past into an extraordinary body of work." Key Words: Charles Correa, tradition, modern, color, Mandala, promenade architecture

吸納與升華--路易斯·巴拉干設(shè)計(jì)思想形成歷程淺析 黃雯

摘　要：路易斯·巴拉干以其獨(dú)特的設(shè)計(jì)思想，創(chuàng)造出富含精神品質(zhì)的空間。本文通過對其設(shè)計(jì)思想形成過程的分析，將其思想形成的過程分為三個階段，并且發(fā)現(xiàn)其思想的形成是一個從吸納到升華的過程。費(fèi)丁南德·貝克庭院的精神，地中海傳統(tǒng)文化，瑞斯對色彩的理解，墨西哥傳統(tǒng)文化等諸多的因素均被巴拉干融合在自己的設(shè)計(jì)思想當(dāng)中，并以其自己的設(shè)計(jì)語言詩意的加以表達(dá)，形成自己獨(dú)特的設(shè)計(jì)思想。
關(guān)鍵詞：路易斯·巴拉干 設(shè)計(jì)思想歷程 墨西哥文化
Abstract: Luis Barragan had created the enriched spirit space with his particular design philosophy. Studying the formation of this philosophy, the author had divided the process of the formation into three phases and had found that it is formed from assimilation to sublimation. The factors, the spirit of Ferdinand Bac courtyard, the Mediterranean traditional culture, the way Chucho Reyes mastered the color and the Mexican traditional culture had been integrated into his own philosophy. And Luis Barragan had expressed them by his own poetical design language. Key Word: Luis Barragan, Formation of design philosophy, Mexican culture

■ 建筑設(shè)計(jì)與理論研究

建筑創(chuàng)造性思維的向度 黃 勇 徐洪澎 張伶伶

摘　要：建筑創(chuàng)作活動有其特定的程序，思維也有其特殊性，建筑創(chuàng)造性思維涉及思維的基本形式和基本方法。建筑創(chuàng)作作為目標(biāo)，其構(gòu)思取決于主體創(chuàng)造性思維的向度。建筑創(chuàng)造性思維的關(guān)鍵在于能否突破思維定勢的束縛。
關(guān)鍵詞：建筑 創(chuàng)造性思維 向度 思維廣度 思維深度
Abstract: Creative activity of architecture has a special process, so does its thought. Creative thinking of architecture involves basic style and method of thought. Architectural creation being a goal, its solution depends on the vector of subject's creative thinking. The key point of creative thinking in architecture is whether the thinking routine could be broken. Key Words: architecture, creative thinking, vector, thinking scope, thinking depth

從并置到重疊 魏皓嚴(yán) 鄭 曦

摘　要：本文的寫作試圖研究系統(tǒng)要素間并置之外的重疊關(guān)系，并將"重疊"推進(jìn)為一種設(shè)計(jì)方法，通過建立要素間新的組織方式而在設(shè)計(jì)中獲得創(chuàng)新。這一過程借助于對兩個案例的分析而得以實(shí)現(xiàn)：重慶市沙坪壩區(qū)沙南街公共停車庫與伊東豐雄設(shè)計(jì)的巴黎大學(xué)圖書館設(shè)計(jì)競賽方案。
關(guān)鍵詞：并置，重疊，系統(tǒng)，要素，結(jié)構(gòu)，功能，環(huán)境
Abstract: The writing of this essay made an attempt to research the superposition relations between system elements that besides juxtaposition relations, through analyzing two cases: the Sha nan street public garage at Shapingba, Chongqing and the proposal of library for the university of Paris, designed by Toyo Ito for the competition. The author also wanted to promote "superposition" to be a design method and do more creative work in design through establishing new organizing types between system elements. Key Words: Juxtaposition, Superposition, System, Elements, Structure, Function, Surroundings

■ 建筑設(shè)計(jì)與理論研究

全球化與地域性--一個"現(xiàn)代性"問題　　　　[瀏覽全文] 徐千里

英雄主義歸去來　　　　[瀏覽全文] 宋 昆 趙勁松

■ 建筑歷史研究

祠堂與居住的關(guān)系研究 田 軍 須 穎

摘　要：本文從祠堂空間的原生祭祀性和次生公共性兩個方面來探討中國古代社會中祠堂曾經(jīng)對居住形態(tài)所起的主導(dǎo)作用；并結(jié)合現(xiàn)代環(huán)境設(shè)計(jì)的手法來分析以祠堂為核心的傳統(tǒng)公共空間與居住的密切關(guān)系；同時通過對比古代社會來分析現(xiàn)代居住中存在的種種問題，展望未來作為居住中心的公共空間的發(fā)展趨勢。
關(guān)鍵詞：原生祭祀性 次生公共性 宗族 祠堂 居住 公共空間
Abstract: Based on the two properties of the Chinese ancestral temple that one is for ancestor worship and another is for social gathering, this thesis analyses how the ancestral temple dominates the distribution of the folk-dwellings. Then the thesis probes into the relation between the traditional public spaces and the surrounding dwelling houses using the contemporary theories of the environment art. By contrasting the ancient village with the modern city, this paper tries to find the way to solve the problems in the modern living, and it also analyses the trend of the future public spaces as the living center. Key Ｗo(hù)rds: Sacred property Assembling Property Clan Ancestral Temple Inhabitation Public space

史前時代居住建筑形式中的原始時空觀念 張玉坤 李賀楠

摘　要：本文闡述了史前時代居住建筑平面形式由圓而方的演變過程，揭示了史前人類借助方形居住建筑這一載體，將人體的十字軸結(jié)構(gòu)與宇宙方位相互疊合，原始時空觀念開始萌芽。史前人類采用"立柱而居"的居住方式，在某種程度上，是為了便于觀察日影變化，從而準(zhǔn)確地測算時間和空間。時空觀念在建筑領(lǐng)域的應(yīng)用主要體現(xiàn)在通對建筑辨方正位，選擇符合人們物質(zhì)和精神雙重需求的理想方位。
關(guān)鍵詞：人體結(jié)構(gòu) 時空觀念 辨方正位
Abstract: Based on the course of the plane form variation of the inhabit building generated from round to square in the prehistoric age, this paper announces that prehistoric mankind established contact the cross structures of the human body with the position of universe, through the square inhabit building. The original space-time idea began to sprout. The reason that prehistoric mankind adopted the way of inhabiting by " setting up the post " is to observe the change of shade and to survey space-time accurately somehow. The idea of space-time can be applied in the building field through distinguishing the orientation. By the way, we can choose the ideal orientation to accord with the demand of material and spirit. Key Words: cross structure of human body; idea of space-time; distinguish the orientation

■ 建筑速寫

聚居的體驗(yàn)趙萬民

■ 紀(jì)事

走進(jìn)年代學(xué)曹 汛

北窗雜記（八十三）竇 武

  本文關(guān)鍵詞：德國大型會展中心建筑設(shè)計(jì)專題考察，由筆耕文化傳播整理發(fā)布。

本文編號：232811