本文選題：宋體字 + 楷書　； 參考：《南京藝術(shù)學(xué)院》2011年碩士論文

【摘要】：字體在平面設(shè)計(jì)中所承擔(dān)的作用舉足輕重,而在對(duì)字體這一領(lǐng)域的研究中,理論往往落后于設(shè)計(jì)實(shí)踐。在許多展覽或競(jìng)賽中不難看出,設(shè)計(jì)師們不斷嘗試漢字在平面設(shè)計(jì)中的各種可能性,與此同時(shí),卻遲遲未見相關(guān)的理論支持。本文的研究意義在于通過(guò)對(duì)宋體字的形成、筆畫形態(tài)及結(jié)構(gòu)特征的分析,挖掘其精神內(nèi)涵,通過(guò)對(duì)圖例的分析,拉近傳統(tǒng)文字理論與設(shè)計(jì)實(shí)踐的距離,為相關(guān)實(shí)踐提供參照,并激發(fā)更為豐富的創(chuàng)作思維。 本文的研究目的是站在平面設(shè)計(jì)的角度,選擇對(duì)設(shè)計(jì)實(shí)踐有直接指導(dǎo)意義的理論進(jìn)行論述,為完善字體設(shè)計(jì)的理論做一點(diǎn)有益的探索。 論文以書法史、版本學(xué)、印刷史以及文字學(xué)方面的相關(guān)知識(shí)為立足點(diǎn),采用大量圖示分析的方法,闡述筆者對(duì)宋體字從形成到結(jié)構(gòu)各個(gè)層面的認(rèn)識(shí),以及在現(xiàn)代設(shè)計(jì)中的應(yīng)用和評(píng)價(jià)。全文分為四個(gè)章節(jié),首先從內(nèi)因和外因兩方面分析宋體字的形成,進(jìn)而詳細(xì)論述宋體字的筆畫、結(jié)構(gòu)特征,由此發(fā)掘其潛在的精神特質(zhì),最后立足于平面設(shè)計(jì)的角度論述其在設(shè)計(jì)中的運(yùn)用。
[Abstract]:Font plays an important role in graphic design, but in the field of font research, the theory often lags behind the design practice. It is not difficult to see in many exhibitions or competitions that designers are constantly trying various possibilities of Chinese characters in graphic design, but at the same time, they have not seen the relevant theoretical support. The research significance of this paper is to excavate its spiritual connotation through the analysis of the formation of the characters of the Song style, the shape and the structural characteristics of the strokes, and to draw the distance between the traditional writing theory and the design practice through the analysis of the legend, so as to provide a reference for the relevant practice. And stimulate more rich creative thinking. The purpose of this paper is to select the theory which has direct guiding significance to design practice from the point of view of graphic design, and to do some useful exploration for perfecting the theory of font design. Based on the relevant knowledge of calligraphy history, versionology, printing history and philology, this paper expounds the author's understanding of the Song style characters from the formation to the structure by using a large number of graphic analysis methods. And the application and evaluation in modern design. The full text is divided into four chapters. Firstly, it analyzes the formation of the characters from the internal and external aspects, and then discusses in detail the strokes and structural characteristics of the characters, thus excavating the potential spiritual characteristics of the characters. Finally, based on the graphic design point of view, discusses its application in the design.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J524

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 周延;弘一書法研究[D];中央美術(shù)學(xué)院;2012年

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本文編號(hào)：2096248