本文選題：時(shí)裝 + 時(shí)裝展示　； 參考：《西安建筑科技大學(xué)》2011年博士論文

【摘要】：本論文從歷史學(xué)的角度和比較研究的方法，以時(shí)裝展示的建筑空間作為研究對(duì)象，按照發(fā)展時(shí)間的順序，客觀(guān)闡述作為時(shí)裝展示的建筑空間：產(chǎn)生、發(fā)展、演變過(guò)程中的特征和變化規(guī)律，以及長(zhǎng)期發(fā)展而形成的建筑類(lèi)型和風(fēng)格。通過(guò)時(shí)裝展示與建筑空間的關(guān)系，解析時(shí)裝展示的建筑空間對(duì)城市景觀(guān)產(chǎn)生的作用，給人們的生活方式、審美趣味、價(jià)值取向帶來(lái)的影響，進(jìn)而對(duì)未來(lái)時(shí)裝展示的建筑空間合理化發(fā)展提供更加切實(shí)有效的理論依據(jù)和研究基礎(chǔ)。 論文中的時(shí)裝展示是指時(shí)裝作為商品或藝術(shù)品用以銷(xiāo)售、推廣或藝術(shù)欣賞等需要，用靜態(tài)（陳列）或動(dòng)態(tài)（表演）的形式將時(shí)裝商用與藝術(shù)意圖表現(xiàn)出來(lái)的方法。時(shí)裝展示在內(nèi)涵豐富、形態(tài)多樣的建筑空間中[商業(yè)建筑（時(shí)裝店、百貨商場(chǎng)、酒店）、觀(guān)覽建筑（美術(shù)館、博物館）、紀(jì)念性建筑（城墻、宮殿、遺址）、體育建筑（足球場(chǎng)、游泳館）等]將自身的魅力得以充分展現(xiàn)，進(jìn)而達(dá)到提升形象、促成消費(fèi)的目的。時(shí)裝展示的產(chǎn)生和發(fā)展不僅豐富了建筑空間的內(nèi)容和形式，更賦予很多建筑空間新的意義。在新世紀(jì)新時(shí)代下，時(shí)裝業(yè)對(duì)建筑空間的依賴(lài)日漸加強(qiáng)，時(shí)裝展示的建筑空間呈現(xiàn)出更加繁榮多樣的趨勢(shì)，而關(guān)于時(shí)裝展示的建筑空間還沒(méi)有系統(tǒng)科學(xué)性的理論指導(dǎo)，鑒于這一研究領(lǐng)域的稀缺和相關(guān)空白，以及從事建筑、服飾相關(guān)專(zhuān)業(yè)人士對(duì)時(shí)裝展示空間理論知識(shí)的迫切需求。 本文分3部分對(duì)時(shí)裝展示與建筑空間的關(guān)系進(jìn)行了相關(guān)研究： 首先，以歷史學(xué)的角度考證了時(shí)裝展示的建筑空間產(chǎn)生及早期的類(lèi)型和特點(diǎn)。在時(shí)裝業(yè)開(kāi)始逐步發(fā)展的過(guò)程中，正是現(xiàn)代城市商業(yè)化開(kāi)始的時(shí)期，本文對(duì)時(shí)裝展示的建筑空間在城市中由點(diǎn)到線(xiàn)再到面的發(fā)展規(guī)律所形成的城市景觀(guān)作了歸納和總結(jié)，同時(shí)也將時(shí)裝展示的建筑空間與城市的協(xié)同發(fā)展所要求的技術(shù)參數(shù)做了分析研究，這些研究不僅明確了時(shí)裝展示的建筑空間自身發(fā)展的方向，同時(shí)也以時(shí)裝展示的建筑空間的角度對(duì)城市發(fā)展的歷史作了相關(guān)補(bǔ)充。（本論文第2、3章） 第二，用類(lèi)型學(xué)的方法通過(guò)大量的資料對(duì)時(shí)裝展示的建筑空間進(jìn)行了分類(lèi)（時(shí)裝商業(yè)空間和時(shí)裝展覽空間），并總結(jié)了各個(gè)時(shí)裝展示的建筑空間類(lèi)型展示時(shí)裝的特點(diǎn)以及每個(gè)時(shí)期的代表風(fēng)格。（本論文第4、5章） 第三，對(duì)時(shí)裝展示與建筑空間在長(zhǎng)期共融發(fā)展中表現(xiàn)在空間、結(jié)構(gòu)、界面框架中的實(shí)例，分析研究時(shí)裝展示在建筑空間中的設(shè)計(jì)方法和策略，并提出了一些具體的建議和改進(jìn)方法，對(duì)未來(lái)時(shí)裝展示建筑空間的發(fā)展趨勢(shì)做了預(yù)判。（本論文第6、7章） 本論文通過(guò)跨學(xué)科比較的方法，從時(shí)裝展示與建筑空間的關(guān)系入手，，立足于人、時(shí)裝、建筑共融的視域，多維度深層次探討時(shí)裝展示的建筑空間與城市形態(tài)、人的價(jià)值認(rèn)同和歸屬之間的關(guān)系，結(jié)合經(jīng)濟(jì)、政治、建筑學(xué)、藝術(shù)學(xué)、時(shí)裝展示設(shè)計(jì)等相關(guān)的理論知識(shí)進(jìn)行了系統(tǒng)的分析研究，對(duì)建筑本身發(fā)展的歷史進(jìn)行了補(bǔ)充，對(duì)我國(guó)城市商業(yè)化發(fā)展和人民生活水平的提高具有現(xiàn)實(shí)的啟發(fā)和指導(dǎo)意義。
[Abstract]:This paper, from the perspective of history and the method of comparative study, takes the architectural space of fashion display as the research object. According to the order of development time, this paper objectively expounds the architectural space of fashion display: the characteristics and changes in the process of production, development and evolution, as well as the type and style formed in the long period of development. The relationship between the exhibition and the building space is presented to analyze the effect of the architectural space on the urban landscape, the influence of the life style, the aesthetic taste and the value orientation of the people, and to provide a more effective theoretical basis and research foundation for the development of the building space in the future fashion display.
Fashion display in this paper refers to the way fashion is used as a commodity or art for sale, promotion or art appreciation, such as the use of static (display) or dynamic (performing) forms to show the fashion business and artistic intentions. Fashion shows in rich and diverse architectural spaces [commercial buildings (stores, Department stores, wine) The appearance and development of the fashion show not only enrich the content and form of the building space, but also give a lot of architectural space to the building space. In the new century, in the new century, the fashion industry is increasingly dependent on the building space, and the architectural space of the fashion display shows a more prosperous and diverse trend, and the architectural space of the fashion display has no systematic and scientific theoretical guidance, in view of the scarcity and related gaps in this field, as well as the building, Decorating relevant professionals' urgent need for fashion display space theory.
This article is divided into 3 parts to study the relationship between fashion show and architectural space.
First, it examines the generation of architectural space and the early types and characteristics of the fashion display in the historical perspective. In the process of the gradual development of the fashion industry, it is the beginning of the modern city commercialization. This article has made the urban landscape of the building space in the fashion display in the city from the point of point to line to surface. At the same time, the paper analyzes the technical parameters required by the architectural space of fashion display and the coordinated development of the city. These studies not only clarify the direction of the development of the architectural space of the fashion display, but also supplement the history of the urban development with the view of the architectural space of the fashion display. Chapter 2,3)
Second, using the method of typology to classify the architectural space of fashion display through a large amount of information (Fashion commercial space and fashion exhibition space), and summarize the characteristics of the fashion display and the representative style of each period. (Chapter 4,5 of this paper)
Third, the design method and strategy of fashion display in the building space are analyzed and studied in the space, structure and interface frame in the long term communion development of fashion display and building space, and some specific suggestions and methods of improvement are put forward, and the development trend of the future fashion exhibition building space is prejudged. Chapter 6,7)
This paper, through the method of interdisciplinary comparison, starts with the relationship between fashion display and architectural space, based on the view of people, fashion and architecture, and probes into the architectural space and urban form of fashion display, the relationship between the value identification and ownership of the people, and the integration of economic, political, architectural, artistic, fashion display and so on. The relevant theoretical knowledge has been systematically analyzed and studied. The history of the development of the architecture itself is supplemented, which has practical enlightening and guiding significance for the commercial development of our cities and the improvement of the people's living standards.
【學(xué)位授予單位】：西安建筑科技大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2011
【分類(lèi)號(hào)】：TS942.8;TU-024

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 張桂鳳;校史館設(shè)計(jì)的文化定位及其表現(xiàn)形式的研究[D];東華大學(xué);2014年

本文編號(hào)：2057164