本文選題：展亭 + 設計��； 參考：《南京藝術學院》2016年碩士論文

【摘要】：一直以來,“展亭”作為一種獨立的建筑類型存在于建筑領域中,但它始終以一個邊緣性的事物沒有得到建筑學界應有的正視。隨著近年來文化藝術展覽活動的增多,展亭的設計與建造頻繁出現(xiàn),也逐漸進入人們的視野,并引起建筑與設計學界的廣泛重視。基于這種現(xiàn)象,本文以展亭為研究對象,以文獻收集、實地調(diào)研、案例分析、歸納總結(jié)等研究方法,從理論和實踐兩個方面對當代展亭設計的實驗性進行了研究與探索。在前三章的研究中,本文對展亭的概念界定、產(chǎn)生發(fā)展和主要特性作了闡釋,然后對展亭設計的類型化演變進行梳理,并從概念、形態(tài)、建造三個方面探討展亭設計的實驗性特質(zhì)。在第四章的探索中,本文以臨時性展示空間為課題,以實驗性展亭設計與建造為主題,對其概念確立、形態(tài)生成、建造過程和成果表達等進行了實驗。通過上述的理論研究與實踐探索,期望對展亭設計理論研究有所補充和完善,為實踐探索帶來一些有價值的參考。
[Abstract]:As an independent architectural type, "kiosk" has always been in the field of architecture, but it has never been seen as a marginal thing in architecture. With the increase of cultural and artistic exhibitions in recent years, the design and construction of the pavilion have appeared frequently, and it has gradually entered people's horizons and caused the building and the construction. Based on this phenomenon, this article takes the pavilion as the research object, with literature collection, field investigation, case analysis, summary and other research methods. From the two aspects of theory and practice, the experiment of the pavilion design is studied and explored. In the first three chapters, the concept of the pavilion is defined and produced. The development and the main characteristics are explained, and then the typed evolution of the pavilion design is combed, and the experimental characteristics of the pavilion design are discussed from three aspects of concept, form and construction. In the exploration of the fourth chapter, this article takes the temporary display space as the subject, the design and construction of the experimental Pavilion as the theme, the establishment of its concept and the form. Through the above theoretical research and practical exploration, we hope to supplement and improve the theoretical research of the pavilion design, and bring some valuable reference for the practical exploration.
【學位授予單位】：南京藝術學院
【學位級別】：碩士
【學位授予年份】：2016
【分類號】：TU242.5;J525.2

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本文編號：1950383