發(fā)布時間：2018-05-28 23:17

  本文選題：劇場化 + 當(dāng)代藝術(shù)�。� 參考：《中央美術(shù)學(xué)院》2017年碩士論文

【摘要】："劇場化"一詞最早源于舞臺美術(shù),但在當(dāng)代藝術(shù)領(lǐng)域也越來越受到重視。相對于平面繪畫單一性的傳達(dá)圖像不同,劇場化藝術(shù)能夠調(diào)動整個展場空間的氛圍,通過視覺、觸覺、聽覺等一系列的感官刺激讓觀者能夠置身在作品整體氛圍當(dāng)中,從而達(dá)到精神上的互動。本文將系統(tǒng)的介紹并論述劇場化在當(dāng)代藝術(shù)中的運用。先從社會背景入手,分別在經(jīng)濟(jì)、技術(shù)、文化及社會因素對劇場化的影響。為了更好的理清劇場化在當(dāng)代藝術(shù)中的發(fā)展。論文第二部分從當(dāng)代藝術(shù)和劇場化的概念及背景分析了有關(guān)兩者的來龍去脈。論文的第三部分結(jié)合一些經(jīng)典的作品論述劇場化作品的特點。最后結(jié)合本人的作品論述我對劇場化作品的認(rèn)識理解和實踐。
[Abstract]:The term "theater" originated from the stage art, but it has also been paid more and more attention in the field of contemporary art. Compared with the single transmission image of plane painting, theatrical art can mobilize the atmosphere of the whole exhibition space, through a series of sensory stimuli, such as vision, touch and hearing, so that the viewer can be placed in the overall atmosphere of the work. In order to better clarify the influence of the economic, technical, cultural and social factors on the theater in order to better clarify the development of theater in contemporary art, the second part of the thesis is from contemporary art and theatre. The third part of the paper discusses the characteristics of the theatrical works with some classic works. Finally, I discuss my understanding and practice of the theatrical works with my works.
【學(xué)位授予單位】：中央美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J05

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 蕭元;;裝置藝術(shù)的概念及其呈現(xiàn)方式[J];華南農(nóng)業(yè)大學(xué)學(xué)報(社會科學(xué)版);2012年03期

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本文編號：1948573