本文選題：浪漫主義時期 + 策展人　； 參考：《世界美術(shù)》2017年01期

【摘要】：正崇高這個概念很受當(dāng)今藝術(shù)家和策展人的歡迎。然而,它是否保持了理智或?qū)徝郎系奈⒚钪?浪漫主義時期,正是這種微妙令其極富創(chuàng)造力)?去年夏天,白立方畫廊舉辦了一場名為"毒性的崇高"的展覽,展出了馬克·奎因(Marc Quinn)的新作。他在殘疾人雕塑系列中顛覆了關(guān)于完美的古典理想之后,又開始在扭曲變形、被污染的三維海景圖系列中消解關(guān)于崇高的浪漫主義概念。同時
[Abstract]:The concept of sublimity is popular with today's artists and curators. But does it preserve the intellectual or aesthetic subtleties that made it extremely creative in the Romantic era? Last summer, the White Cube Gallery staged an exhibition called "nobleness of toxicity," featuring a new work by Marc Quinnn. After subverting the classical ideal of perfection in the disabled sculpture series, he began to dispel the concept of sublime romanticism in the distorted and polluted 3D seascape series. meanwhile
【作者單位】： 廣東第二師范學(xué)院美術(shù)學(xué)院;
【分類號】：J05
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本文編號：1946271