本文選題：藝術批評 + 遭遇��； 參考：《美術觀察》2013年06期

【摘要】：正隨著近年來網絡論壇、網絡美術館、網絡展覽的興起,傳統藝術批評的寫作模式及其與受眾的關系備受沖擊。一方面,通過論壇、博客、微博等網絡空間,網民能夠第一時間了解到最新的藝術信息,無論是藝術家、美術館和畫廊都可以直接與網友進行互動交流,這給藝術傳播和接受帶來了前所未有的大好時機;另一方面,全民參與的網絡評論在將藝術批評推向高潮的同時,也將傳統的學院式批評精英性、專業(yè)性的特點變得開放化、碎片化。民眾對于藝術作品進行的草根式、非理性的解讀和批評固然是話語權開放的一種表現,但當這
[Abstract]:With the rise of online forums, art galleries and online exhibitions in recent years, the writing mode of traditional art criticism and its relationship with the audience have been impacted. On the one hand, through cyberspace such as forums, blogs, Weibo and so on, netizens can learn the latest art information in the first place. Whether it is artists, galleries and galleries, they can interact directly with netizens. This has brought an unprecedented opportunity for the spread and acceptance of art; on the other hand, while bringing art criticism to the climax, the popular online commentary has also opened up the traditional meritocracy and professionalism of college criticism. Fragmentation. The grassroots, irrational interpretation and criticism of works of art by the public is certainly a manifestation of the openness of discourse, but when this is the case,
【分類號】：J05
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本文編號：1863262