本文選題：前衛(wèi)性 + 綜合材料　； 參考：《美術(shù)觀察》2014年04期

【摘要】：正材料之于當(dāng)代藝術(shù)本已是無需再討論的問題,但是由于國內(nèi)不少專業(yè)類院校和機構(gòu)將綜合材料與繪畫并置在一起,并以此來談?wù)摾L畫教學(xué)和創(chuàng)作,使有關(guān)綜合材料繪畫的討論成為頗具我國"特色"的話題。材料和繪畫本是兩個對立的概念,而綜合材料繪畫將兩個相互抵牾的概念糅合在一起,無論在概念上還是在實踐中,都是一種折中化的處理。"綜合材料繪畫"這一概念的提出和推廣實際是畫地為牢之舉,它在推動國內(nèi)當(dāng)代藝術(shù)創(chuàng)作方面所起的作用也非常有限。綜合材料繪畫在國內(nèi)之所以依然備受推崇,一方面,源自部分藝術(shù)院校和機構(gòu)既希望趕上藝術(shù)發(fā)展的快車,又拒絕將更為激進(jìn)的藝術(shù)樣式納入教學(xué)和體制內(nèi)展覽之中;另一方面,源自眾多相關(guān)討論尚未理清材料進(jìn)入繪畫之于藝術(shù)的本質(zhì)意義,導(dǎo)致我們扭曲了綜合材料繪畫的功能和作用。材料首要的也是最初的特質(zhì)應(yīng)是前衛(wèi)性,它之所以能夠成為藝術(shù),與20世紀(jì)初前衛(wèi)藝術(shù)的發(fā)生和發(fā)展密切相關(guān)。德
[Abstract]:Positive materials are a problem that no longer needs to be discussed in contemporary art. However, because many professional institutions and institutions in the country have juxtaposed comprehensive materials with paintings, they have used them to talk about painting teaching and creation. So that the discussion of comprehensive material painting has become a topic of Chinese "characteristics". Material and painting are two opposing concepts, and composite material painting combines two contradictory concepts together, both conceptually and practically, as a compromise treatment. " The concept of "comprehensive material painting" was put forward and popularized. In fact, drawing a circle on the ground was taken as a prison, and it also played a very limited role in promoting contemporary art creation in China. The reason why the comprehensive material painting is still highly respected in China, on the one hand, from some art colleges and institutions not only want to catch up with the rapid development of art, but also refuse to include more radical art style into teaching and institutional exhibition; On the other hand, many related discussions have not clarified the essential significance of materials in painting to art, which leads us to distort the function and function of comprehensive material painting. The first characteristic of material should be avant-garde, which is closely related to the emergence and development of avant-garde art in the early 20th century. Morality
【作者單位】： 河北大學(xué)藝術(shù)學(xué)院;
【分類號】：J205

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本文編號：1822018