本文選題：前世 + 今生　； 參考：《文藝研究》2013年04期

【摘要】：正彭肜灰蒙蒙的天蒼茫茫的地樹木、田野、小河……樣樣都是心啊——楊鍵 2012年夏末秋初, 《土語(yǔ)·2012李向明藝術(shù)展》在北京中國(guó)美術(shù)館如期舉行。這是李向明同名同地的第二次個(gè)人展覽。作為同學(xué)和好友,我一直關(guān)注著他的創(chuàng)作和思考,大家也多次在他的工作室見面,一次次近觀作品,討論藝術(shù),對(duì)他以"土語(yǔ)"命名的作品有了更多、更新的體會(huì)。近幾年,他的工作室里陡然多了成堆的顏色暗淡、質(zhì)地不明的各種布
[Abstract]:The trees, the fields, the rivers in the grey sky. Everything is heart-Yang Jian in late summer and early autumn 2012, the Tuyu 2012 Li Xiangming Art Exhibition held as scheduled at the China Art Museum in Beijing. This is Li Xiangming's second personal exhibition of the same name. As a classmate and good friend, I have been paying close attention to his creation and thinking, and we have also met in his studio many times, watched his works closely, discussed the art, and had more and more updated experiences on his works named "vernacular". In recent years, there have been a sudden increase in piles of dark, obscure cloth in his studio
【作者單位】： 四川大學(xué)藝術(shù)學(xué)院;
【基金】：2012年度教育部人文社會(huì)科學(xué)研究規(guī)劃基金項(xiàng)目(批準(zhǔn)號(hào):12YJA760044) 四川大學(xué)中央高�；究蒲袠I(yè)務(wù)費(fèi)研究專項(xiàng)項(xiàng)目(批準(zhǔn)號(hào):skgy201204)階段性成果
【分類號(hào)】：J205
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本文編號(hào)：1794206