本文選題：第二代　切入點(diǎn)：留俄美術(shù)家　出處：《重慶師范大學(xué)》2013年碩士論文

【摘要】：第二代留俄美術(shù)家，，均是近二十多年來(lái)在俄羅斯受過(guò)藝術(shù)教育，回國(guó)后取得一定成就的中青年美術(shù)家。他們遍及全國(guó)的各大省、市、自治區(qū)、直轄市的高等美術(shù)院校和藝術(shù)研究機(jī)構(gòu)。2008年1月他們?cè)诒本┏闪⒘藲W美同學(xué)會(huì)留俄（蘇）美術(shù)院校校友會(huì)，并于2012年7月成功地在中國(guó)美術(shù)館舉辦了“情系白樺林——1990年代后留俄美術(shù)家作品展”。這是第二代留俄美術(shù)家首次群體性地亮相在了中國(guó)美術(shù)界的視線中，引起了廣泛關(guān)注。 本文從第二代留俄美術(shù)家群體形成的歷史背景、發(fā)展現(xiàn)狀、學(xué)術(shù)宗旨、作品的題材指向、作品的風(fēng)格與面貌等方面展開(kāi)了研究。并通過(guò)對(duì)四位具有代表性的美術(shù)家和其他部分美術(shù)家及其作品風(fēng)格特點(diǎn)的分析，探討了該群體在中國(guó)美術(shù)創(chuàng)作風(fēng)格呈多元化發(fā)展的新時(shí)代背景下，仍然堅(jiān)持現(xiàn)實(shí)主義的創(chuàng)作觀念和原則，同時(shí)又注重在表現(xiàn)手法和形式語(yǔ)言上的多樣性探索，維護(hù)了中國(guó)美術(shù)界在開(kāi)放環(huán)境下的生態(tài)平衡，并對(duì)21世紀(jì)中國(guó)美術(shù)史在理論研究方面提供借鑒作用。 本文采用訪談?wù){(diào)查法、資料分析法和圖例分析法。作者通過(guò)對(duì)代表美術(shù)家的訪談、對(duì)相關(guān)文獻(xiàn)的檢索、相關(guān)專業(yè)期刊雜志的研讀、相關(guān)作品圖例的查找和分析，以及參與相關(guān)的學(xué)術(shù)會(huì)議和作品展覽等方式對(duì)第二代留俄美術(shù)家群體展開(kāi)了全面的分析和研究。 本文共分為六章： 1、引言，主要介紹研究的緣起、研究的目的、內(nèi)容、方法和意義。 2、主要研究第二代留俄美術(shù)家群體的形成。 3、主要研究第二代留俄美術(shù)家群體的發(fā)展現(xiàn)狀。 4、主要分析第二代留俄美術(shù)家作品的題材指向。 5、主要分析第二代留俄美術(shù)家作品的風(fēng)格與面貌。 6、主要探討由第二代留俄美術(shù)家作品引起的思考。
[Abstract]:The second generation of artists who stayed in Russia were all young and middle-aged artists who had received art education in Russia in the past twenty years and made some achievements after returning home.They spread all over the country's major provinces, cities, autonomous regions, and municipalities directly under the Central Government's higher art colleges and art research institutions. In January 2008, they set up in Beijing the Alumni Association of the European and American Association for studying in Russia (the Soviet Union).And successfully held in July 2012 in the China Museum of Art, "Birch Lin Department of Love-after the 1990s to stay Russian artists exhibition."This is the second generation of Russian artists to make their first mass appearance in the eyes of the Chinese art community, causing widespread concern.This paper studies the historical background, the present situation of development, the academic tenet, the theme direction of the works, the style and appearance of the second generation artists in Russia.Based on the analysis of the characteristics of four representative artists and other artists and their works, this paper discusses the new era background in which the artistic creation styles of China are diversified.Still adhering to realistic creative concepts and principles, and paying attention to the diversity of expression techniques and formal languages, maintaining the ecological balance of the Chinese art community in the open environment.And to the 21 st century Chinese art history in the theoretical research to provide reference.This article adopts the interview investigation method, the data analysis method and the legend analysis method.Through the interview of the representative artists, the retrieval of relevant documents, the reading of relevant journals and magazines, the search and analysis of the legends of related works,As well as participating in the relevant academic conferences and works exhibition, the second generation of Russian artists group has been comprehensively analyzed and studied.This paper is divided into six chapters:1. Introduction, mainly introduces the origin, purpose, content, method and significance of the research.2, mainly study the formation of the second generation of Russian artists.Third, mainly studies the second generation to stay in Russia artist group's development present situation.4, the main analysis of the second generation of Russian artists work of the theme of the direction.5. It mainly analyzes the style and appearance of the second generation Russian artists' works.6. It mainly discusses the thinking caused by the works of the second generation of Russian artists.
【學(xué)位授予單位】：重慶師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J120.9

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本文編號(hào)：1728790