本文選題：都市水墨　切入點：女性形象　出處：《沈陽師范大學》2012年碩士論文

【摘要】：都市水墨畫既適應了時代發(fā)展的潮流，又繼承中國傳統(tǒng)繪畫，形成的具有獨特藝術語言的繪畫形式。都市水墨畫的發(fā)展歷程、概念來源、人物特點、發(fā)展方向成為了人們關注的焦點。本文試圖在深入了解當代都市水墨人物畫的概念、起源及發(fā)展的基礎上，對都市水墨人物畫的作品中，女性題材的演變過程進入深入探究，通過分析、舉例、總結等方法，歸納“八五思潮”以來發(fā)展近30年的都市水墨畫中對女性題材的研究與實驗成果。因此本文第一部分是都市水墨人物畫的概念、起源、發(fā)展；第二部分深入探究都市水墨人物畫中女性形象演變的歷史和現(xiàn)實原因；第三部是最重要的章節(jié)，內容涵蓋了本文的中心論點：都市水墨人物畫女性形象的演變過程，內容涵蓋了每個時期的社會藝術活動及展覽情況，畫家的轉型和代表作品，每個時期有特點的代表作品的總結和歸納。并分別從1885-1889、1890-1944、1945-1999、2000-今的四個時期入手，概括每個時期女性形象的發(fā)展方向與形象特點。最后從符合大眾的審美需求、直接反映大眾的生活、推動水墨人物畫發(fā)展的三個維度，總結都市水墨人物畫中女性形象演變的現(xiàn)實意義。 筆者認為，由于都市水墨畫距離現(xiàn)在時間上很近，發(fā)展的時間短、經(jīng)歷坎坷、形式多樣，相關書籍、文獻、期刊、雜志也比較零散。筆者盡量站在客觀的角度，以個人的修養(yǎng)和見解對發(fā)展了近30年都市水墨人物畫分階段進行梳理，并從85思潮之后的四個時間階段來歸納總結出女性形象的演變過程及女性形象的特點。在資料搜集中，我發(fā)現(xiàn)這方面的畫家、畫作、風格、轉變都是很多、很自由、很廣泛的。其中，一些畫家的畫風在不同時期的繪畫風格變化不大；有些畫家在不同時間階段的題材又不完全涵蓋于女性題材；有些畫家是在90年代后期轉向表現(xiàn)都市題材；還有近期一些畫家的繪畫風格和人物形象呈現(xiàn)多元化發(fā)展的趨勢，因此，論文篇幅有限，很難以一篇兩萬字的論文涵蓋詳盡。筆者歸納的每個時期代表畫家和作品，僅能以有突出畫者和畫作為例，望該時期同樣有優(yōu)秀作品的畫家諒解。另外，，筆者對于每個時期所歸納的女性形象特點的總趨勢可能不夠全面或比較主觀，希望等到廣大藝術愛好者和文藝批評家的指導與雅正。
[Abstract]:Urban ink painting not only adapts to the trend of development of the times, but also inherits Chinese traditional painting, and forms a painting form with unique artistic language.The development course, concept source, character characteristic and development direction of urban ink painting have become the focus of people's attention.On the basis of deep understanding of the concept, origin and development of contemporary urban ink figure painting, this paper attempts to probe into the evolution process of female theme in the works of urban ink figure painting, through analysis, example, summary and other methods.This paper summarizes the research and experimental results of female theme in urban ink painting since the eighth five-year Plan.Therefore, the first part of this paper is the concept, origin and development of urban ink figure painting; the second part deeply explores the historical and realistic reasons for the evolution of female image in urban ink figure painting; the third part is the most important chapter.The content covers the central point of this paper: the evolution process of the female image of urban ink figure painting, the social art activities and exhibition situation of each period, the transformation and representative works of the painter,Each period has the characteristic representative work the summary and the induction.Starting from the four periods of 1885-1889-1940-1944-1945-19992000- present, the author summarizes the development direction and characteristics of female images in each period.Finally, from the aesthetic needs of the public, directly reflect the life of the public, promote the development of ink figure painting three dimensions, summed up the urban ink figure painting in the female image evolution of the realistic significance.The author believes that urban ink painting is very close to the present time, short development time, experience bumpy, various forms, related books, documents, periodicals, magazines are also relatively scattered.I try to stand in an objective perspective, with personal self-cultivation and opinions on the development of urban ink figure painting in the past 30 years in stages to sort out,And summarizes the evolution process of female image and the characteristics of female image from the four time stages after the 85 ideological trend.In the collection of information, I found that the painters, paintings, styles, changes are many, very free, very extensive.Among them, the painting style of some painters has not changed much in different periods; some painters in different periods of time have not completely covered the subject matter of women; some painters have turned to express urban themes in the late 1990s;In recent years, some painters' painting styles and characters show a trend of diversified development. Therefore, the length of the paper is limited, it is very difficult to cover a detailed paper of 20,000 words.The author induces each period to represent the painter and the work, can only have the outstanding painting and the painting as an example, hoped that that period also has the outstanding work the painter understanding.In addition, the author may not be comprehensive or more subjective about the general trend of the characteristics of female images summarized in each period, hoping to wait until the guidance and elegance of the broad masses of art lovers and literary critics.
【學位授予單位】：沈陽師范大學
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J212

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本文編號：1704858