本文選題：主題性　切入點：地球的紅飄帶　出處：《美術(shù)觀察》2017年01期

【摘要】：正近年來,國家對主題性創(chuàng)作的投入與鼓勵之熱,同主題創(chuàng)作難出精品、難出人才之冷,成為局面尷尬的一事兩態(tài)。2005年,文化部、財政部啟動"百年重大歷史題材美術(shù)創(chuàng)作工程",歷時五年,舉國之力,從選題到創(chuàng)作再到展覽,可謂聲勢浩大。2011年,"中華歷史文明美術(shù)創(chuàng)作工程"再次高調(diào)啟動,并以姊妹篇的方式追溯譜寫中華民族史詩。通過驗收的近一百五十件作品,也于近期的"中華史詩美術(shù)大展"同觀眾見面。十年間,國家兩次主導(dǎo)美術(shù)創(chuàng)作工程,以歌詠和塑造中華民族之通達(dá)、智慧、忠義與英勇。盛世修文,在民族虛無主義的迷霧之中,國
[Abstract]:In recent years, the state's investment and encouragement in thematic creation has become an embarrassing situation. In 2005, the Ministry of Culture, The Ministry of Finance launched the "century-old historical art creation project", which lasted for five years. The whole country's efforts, from topics to creation to exhibitions, were tremendous. In 2011, the "Art creation Project of Chinese Historical Civilization" was again launched in a high profile. Nearly 150 works that have been accepted and accepted have also been met with the audience at the recent "Chinese Epic Art Exhibition." in the past 10 years, the state has twice led the art creation project. Singing and shaping the Chinese nation's understanding, wisdom, loyalty and bravery. In the midst of national nihilism, the country is in the fog of national nihilism.
【作者單位】： 北京畫院美術(shù)館策劃部;
【分類號】：J205

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