本文選題：張承志　切入點(diǎn)：苦難意識(shí)　出處：《東北師范大學(xué)》2011年碩士論文

【摘要】：張承志的作品顯示出了強(qiáng)烈的生命力量和浪漫的詩(shī)性因素,給當(dāng)代文壇注入了新的活力,這主要原因就是張承志作品中最值得一提的苦難意識(shí)的存在。本文分析了張承志的苦難意識(shí)的本身內(nèi)容以及產(chǎn)生的原因、和哲合忍耶的關(guān)系,通過對(duì)其立場(chǎng)和當(dāng)代作家對(duì)苦難救贖的不同方式的敘述對(duì)比,希望呈現(xiàn)一個(gè)獨(dú)特作家的獨(dú)特一面,使讀者正確對(duì)待張承志現(xiàn)象的存在。 從張承志的很多描寫知青生活的作品中,都很明顯的表現(xiàn)出他對(duì)自己的民間立場(chǎng)、母族的生存方式的向往。他和其他鐘情苦難的作家一樣,喜歡把人物的生活環(huán)境敘述得十分惡劣,讓他們經(jīng)受磨難、遭遇痛苦,從而在這個(gè)經(jīng)受苦難的過程中表現(xiàn)出抗?fàn)幀F(xiàn)實(shí)的個(gè)體生命的潛在力量。他選擇的苦難發(fā)生地黃土高原西海固、蒙古草原和新疆天山山麓,都是生存環(huán)境嚴(yán)峻,氣候條件惡劣,與現(xiàn)代文明差距很遠(yuǎn)的地方,他選擇的主人公也都是背負(fù)著人生苦難的平凡人物。除了這些還有苦難的情節(jié)和苦難的結(jié)局。但是作者并不是迷戀苦難,而是選擇在苦難的環(huán)境下將人性真實(shí)的展露,寫出意蘊(yùn)更深長(zhǎng)的信念。事實(shí)上,不論是藝術(shù)作品中還是現(xiàn)實(shí)生活中,人們對(duì)于苦難的體驗(yàn)和審視不斷的加深和強(qiáng)化是源于悲劇精神的深入。 我們書寫苦難,不是為了展覽苦難,或者是調(diào)侃苦難,而是為了超越苦難,以通向救贖的彼岸。古往今來(lái)很多作家在苦難敘事的同時(shí)也對(duì)苦難的救贖之路進(jìn)行了大量的探索,面對(duì)苦難,他們共同選擇了在苦難的廢墟上將人重新建立起來(lái)以實(shí)現(xiàn)對(duì)于苦難的超越。新時(shí)期小說對(duì)于“苦難”的敘述大概分為三種救贖路徑:一種是忍耐苦難的態(tài)度,還有悲劇英雄人物的反抗,也有張承志這種為代表的在宗教中尋找解脫的方式。 希望我們?cè)谏钪心軌蚪邮軓埑兄镜木?將苦難意識(shí)牢記,坦然接受生活中的不平坦,尋找更高的價(jià)值追求,建筑人類真正的精神家園,這就是張承志作品中苦難意識(shí)尋在的現(xiàn)實(shí)意義所在,我們不必追究他的價(jià)值理念和生存方式是否有合理性,當(dāng)我們接受他特殊的存在時(shí),就會(huì)看到一個(gè)自由境界的領(lǐng)域又高揚(yáng)了一面燦爛的旗幟。
[Abstract]:Zhang Chengzhi's works showed a strong life force and romantic poetic factors, and injected new vitality into the contemporary literary world. This is mainly due to the existence of the consciousness of suffering, which is the most worthy of mention in Zhang Chengzhi's works. This paper analyzes the contents and causes of the consciousness of suffering of Zhang Chengzhi, and the relationship between the consciousness of suffering and the relationship between Zhe he and Yan Ye. Through the comparison between his stand and the different ways of redeeming suffering by contemporary writers, the author hopes to present the unique side of a unique writer so that readers can correctly deal with the existence of Zhang Chengzhi. From many of Zhang Chengzhi's works describing the life of educated youth, it is obvious that he has a yearning for his own folk stand and the way his mother lives. He is like other writers who love and suffer. Like to describe the living environment of the characters very bad, let them suffer, suffer, Thus, in the course of suffering, he demonstrated the potential power of fighting against the reality of individual life. His chosen place of suffering was Xihaigu on the Loess Plateau, Mongolia's grasslands and the foothills of the Tianshan Mountains in Xinjiang, all of which had a harsh living environment and poor climatic conditions. Far from modern civilization, the protagonist he chose was also an ordinary person carrying the suffering of life. Besides these, there are also the plot of suffering and the outcome of suffering. But the author is not infatuated with suffering. Instead, he chose to expose the truth of human nature in the midst of suffering and to write deeper beliefs. In fact, whether in art or in real life, The deepening and strengthening of people's experience and examination of suffering originates from the deepening of tragic spirit. We write about suffering, not to show it, or to tease it, but to transcend it to the other side of salvation. In the face of suffering, they have jointly chosen to rebuild people on the ruins of suffering in order to achieve the transcendence of suffering. The narrative of "suffering" in new period novels is roughly divided into three ways of salvation: one is the attitude of enduring suffering, There is also the resistance of tragic heroes, Zhang Chengzhi as a representative of the way to find freedom in religion. I hope we can accept Zhang Chengzhi's wake-up call in life, remember the suffering consciousness, accept the unflatness of life, seek higher value pursuit, and build the real spiritual home of human beings. This is where the realistic significance of finding the consciousness of suffering in Zhang Chengzhi's works lies. We do not have to investigate whether his values and ways of living are reasonable, when we accept his special existence. You will see a realm of freedom and a splendid banner.
【學(xué)位授予單位】：東北師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：I207.42

【相似文獻(xiàn)】

相關(guān)期刊論文 前10條

1 雷前虎;;論張承志小說創(chuàng)作主體身份的嬗變——從《金牧場(chǎng)》改寫談起[J];安徽文學(xué)(下半月);2011年08期

2 徐阿兵;;荒蕪的生長(zhǎng)與無(wú)根的想像——論“后知青作家”的苦難意識(shí)及創(chuàng)作景觀[J];鹽城師范學(xué)院學(xué)報(bào)(人文社會(huì)科學(xué)版);2011年03期

3 朱青;;苦難中的抉擇—論福貴形象[J];德州學(xué)院學(xué)報(bào);2011年S1期

4 蘇軼娜;;《伊萬(wàn)的女兒,伊萬(wàn)的母親》中的人物形象——俄羅斯當(dāng)代作家拉斯普京中篇小說賞析[J];洛陽(yáng)師范學(xué)院學(xué)報(bào);2011年06期

5 黃雪婷;;孫向?qū)W長(zhǎng)篇小說《二傻》的苦難敘事[J];長(zhǎng)江大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2011年07期

6 李怡;;苦難的意義與信仰的力量[J];紅巖;2011年04期

7 ;[J];;年期

8 ;[J];;年期

9 ;[J];;年期

10 ;[J];;年期

相關(guān)會(huì)議論文 前2條

1 陳非;;永久的憧憬與向往——張承志小說中的大地與人[A];這就是我們的文學(xué)生活——《當(dāng)代文壇》三十年評(píng)論精選（下）[C];2012年

2 楊樂生;;賈平凹魅力何在[A];中國(guó)語(yǔ)言文學(xué)資料信息（1999.1）[C];1999年

相關(guān)重要報(bào)紙文章 前10條

1 中國(guó)社會(huì)科學(xué)院文學(xué)所 張夢(mèng)陽(yáng);忽略苦難意識(shí) 文化建設(shè)只能成為空談[N];社會(huì)科學(xué)報(bào);2011年

2 陳樹義;文學(xué)要切實(shí)面向底層[N];人民日?qǐng)?bào);2009年

3 本報(bào)記者 田鑫;在超越和批判之中尋找詩(shī)意[N];銀川晚報(bào);2011年

4 本報(bào)記者 張瀅瑩;中華靈性文學(xué)研討會(huì)在滬召開[N];文學(xué)報(bào);2008年

5 蘇奎;被同情的與被傷害的[N];文藝報(bào);2006年

6 肖潔;隴原實(shí)力派作家領(lǐng)軍西部文學(xué)[N];蘭州日?qǐng)?bào);2005年

7 本報(bào)記者 徐春萍;創(chuàng)作要與不斷變化的生活對(duì)接[N];文學(xué)報(bào);2004年

8 本報(bào)記者 趙s，

本文編號(hào)：1686475