本文選題：數(shù)字技術　切入點：傳播權　出處：《華中師范大學》2012年碩士論文

【摘要】：數(shù)字技術的發(fā)展豐富了作品的傳播方式,任何作品都可以轉化成數(shù)字化的形式進行傳播。與傳統(tǒng)的作品傳播方式相比較,數(shù)字化的傳播方式具有綜合性、交互性及高效性等特征。數(shù)字化傳輸動搖了復制權的基礎地位,控制傳播比控制復制具有更大的意義。針對數(shù)字技術的發(fā)展對現(xiàn)有著作權制度的沖擊,各國立法均有不同程度的回應。我國2001年《著作權法》修改中特別增加了信息網絡傳播權及2006年頒布了《信息網絡傳播權保護條例》以適應數(shù)字技術對我國的著作權體系的沖擊。 我國當前《著作權法》賦予作者著作財產權包括復制權、發(fā)行權、傳播權及演繹權。傳播權包括展覽權、表演權、放映權、廣播權和信息網絡傳播權,5種權利共同構成我國傳播權的整體架構。數(shù)字技術及網絡技術的發(fā)展,作品通過網絡途徑進行傳播在相當程度上模糊了著作財產權之諸傳播權間的界限,表現(xiàn)為傳播權內部子權利之間出現(xiàn)了邊界模糊,內容重合情形。一些權利的設置非常多余,而許多應該納入傳播權保護的內容卻游離于法律之外,這種傳播權的格局顯然不能適應技術發(fā)展對傳播權結構性完善的需要。 傳播權整合是著作權體系化的需要,是我國著作權法新一輪修改的最佳路徑,也是文化產業(yè)發(fā)展的需要。數(shù)字技術的發(fā)展也給傳播權整合提供了可能性,只有整合當前傳播權的格局才能夠協(xié)調權利之間的沖突與重合現(xiàn)象。傳播權整合的理論基礎在于權利邊界的劃定和權利束的定位,只有明確了各項權利的邊界才能進行權利整合。傳播權的整合具有很重要的現(xiàn)實意義,傳播權整合能保持現(xiàn)有法律制度的相對穩(wěn)定,整合后的制度增強了法律的操作性,便于司法活動的開展,通過權利整合完善傳播權制度,有利于文化產業(yè)繁榮發(fā)展。 傳播權整合的過程中要堅持利益平衡的原則和技術中立的原則。技術發(fā)展打破了原有的利益平衡,數(shù)字環(huán)境下,需要在整合中重新確認各方的利益機制。著作權制度的發(fā)展與傳播技術的進步息息相關,技術立法或者修改法律應始終堅持利益平衡的原則。傳播權具體整合應該以我國現(xiàn)有的法律制度為基礎。傳播權整合的具體思路為：設立一個與復制權和發(fā)行權平行的總權利——傳播權,將未納入法律保護的網絡廣播和網絡直播整合入廣播權。將表演權和放映權整合為一個權利,保持信息網絡傳播權的穩(wěn)定,刪除展覽權。論文在上述思路的基礎上提出了《著作權法》的修改意見。
[Abstract]:The development of digital technology rich mode of transmission of the works, any work can be converted into digital form of communication. Compared with the traditional work mode of transmission, digital communication has a comprehensive, interactive and efficient characteristics. Digital transmission has shaken the foundation position of the right of reproduction, and control the spread of greater significance than the control copy. With the development of digital technology impact on the existing copyright system, legislation of different countries have different levels of response. In 2001 China "Copyright Law > specially added right to network dissemination of information and in 2006 promulgated the regulations on the protection of information network transmission right < > in order to adapt to the system of the right of copyright of digital technology in China the impact.
China's current "Copyright Law > gives authors property rights include copy right, distribution right, the right of communication and interpretation of the right. The right of communication including the right of exhibition, performance rights, theatrical rights, broadcast rights and the right to network dissemination of information, 5 kinds of rights constitute the whole framework of our right of communication. The development of digital technology and the network technology, the spread of the fuzzy boundaries of works copyright to a considerable extent of the spread through the network way right between the performance of the right of communication between internal sub the right boundary is fuzzy, content overlap situation. Some of the rights set very redundant, and many should be included in the protection of the right of communication content is free from the law besides, the right of communication pattern obviously can't adapt to technology development and structural improvement of the right of communication needs.
The right of communication integration is the need of the copyright system is the copyright law in our country a new round of revision of the best path, but also to the development of cultural industry. The development of digital technology to the right of communication integration provides the possibility of integration, only the pattern of the right of communication to coordinate the conflict between the right and the coincidence phenomenon. The theoretical basis of the right of communication integration is designated the right boundary and right beam positioning, only clear the rights boundary to right integration. It has very important practical significance to integrate the dissemination right, the right of communication integration to maintain the existing legal system is relatively stable, after the integration of the system enhances the operability of the law. To facilitate judicial activities, through the right to improve the integration of the right of communication system, is conducive to the prosperity and development of cultural industry.
浼犳挱鏉冩暣鍚堢殑榪囩▼涓鍧氭寔鍒╃泭騫寵　鐨勫師鍒欏拰鎶，

本文編號：1683828