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淺析新文化運動時期中國美術(shù)變革及其社會功能性

發(fā)布時間:2018-03-24 16:31

  本文選題:淺析 切入點:新文化運動 出處:《中央美術(shù)學院》2010年碩士論文


【摘要】: 1840年以來,帝國主義的槍炮打開了中國閉關(guān)自守的大門,也帶來了資本主義文化。在西方文明的影響下,一批滿懷愛國熱情的進步文化人掀起的新文化運動,以民主與科學為武器,對阻礙社會進步的舊文化和封建思想展開猛烈的抨擊!拔逅摹边\動的爆發(fā),更是把這一思想啟蒙熱潮推入了“文化革命”的偉大時代,“文藝復興”說也成為學術(shù)界對新文化運動的一種很有代表性的理解。這一時期,伴隨著社會的巨大變化,中國繪畫也受到了史無前例的巨大沖擊,傳統(tǒng)的民族繪畫經(jīng)歷著錯綜復雜的革新創(chuàng)造,西畫東漸在打破中國畫唯我獨尊格局的同時,也推動建立了自成體系的中國美術(shù)教育,社會變革的不斷繼續(xù)也相應豐富了繪畫的品種、題材和各種表現(xiàn)形式?v觀數(shù)千年的中國繪畫藝術(shù),20世紀上半時期的中國美術(shù)以其不可比擬的根本性變化與發(fā)展,堪稱歷史上最偉大的時期。本文試圖通過對新文化運動時期中國美術(shù)變革及其社會功能性的淺析和記述,既期望窺探中國傳統(tǒng)文化的燦爛與頑強生命力,更期望能從中得到吸收與借鑒,在而今中國這一偉大變革的新時代,在中華民族偉大復興的歷史進程中,追尋中國美術(shù)新變革的勝利腳步。
[Abstract]:Since 1840, the guns and guns of imperialism have opened the door of China's closed doors and also brought about capitalist culture. Under the influence of Western civilization, a group of progressive cultural people with patriotic enthusiasm set off a new cultural movement. Armed with democracy and science, they launched a fierce attack on the old culture and feudal ideas that hindered social progress. The outbreak of the May 4th Movement, It also pushed this ideological enlightenment upsurge into the great era of "cultural revolution", and the "Renaissance" theory also became a representative understanding of the new cultural movement in academic circles. Chinese painting has also suffered an unprecedented impact. The traditional national painting has experienced intricate innovation and creation. While the western painting is gradually breaking the pattern of Chinese painting's supremacy, it has also promoted the establishment of a self-contained Chinese art education. The continuation of social transformation has enriched the variety, subject matter and various forms of expression of painting. Throughout the thousands of years of Chinese painting art and the first half of the 20th century, Chinese art with its incomparable fundamental changes and development, This article attempts to explore the brilliant and indomitable vitality of Chinese traditional culture by analyzing and documenting the transformation of Chinese fine arts and its social functions during the New Cultural Movement. It is expected to be absorbed and used for reference. In the new era of great changes in China and in the historical process of the great rejuvenation of the Chinese nation, the successful steps of new changes in Chinese fine arts will be pursued.
【學位授予單位】:中央美術(shù)學院
【學位級別】:碩士
【學位授予年份】:2010
【分類號】:J209.2

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