本文選題：纖維藝術(shù)　切入點(diǎn)：現(xiàn)成品　出處：《中國(guó)美術(shù)學(xué)院》2010年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】： 論文以纖維和空間藝術(shù)研究為基礎(chǔ),來(lái)討論現(xiàn)成品介入纖維與空間藝術(shù)呈現(xiàn)的新語(yǔ)境,以及面對(duì)當(dāng)下后現(xiàn)代“混雜空間”顯現(xiàn)出的豐富寓意。 對(duì)于現(xiàn)成品在纖維與空間藝術(shù)中的運(yùn)用及當(dāng)下意義的論述,文章用三個(gè)章節(jié)逐層論證說(shuō)明。第一章,把現(xiàn)成品在纖維與空間藝術(shù)中的運(yùn)用放入發(fā)展歷史中去討論,進(jìn)行縱向比較。并在接下來(lái)的發(fā)展中,借助于當(dāng)時(shí)的藝術(shù)觀念使兩種藝術(shù)形式相互融合,產(chǎn)生特有的異化空間。 第二章對(duì)現(xiàn)成品在纖維與空間藝術(shù)中的運(yùn)用進(jìn)行橫向分析,著重?cái)⑹隼w維與現(xiàn)成品相結(jié)合呈現(xiàn)的文化寓意。后現(xiàn)代文化是現(xiàn)今主導(dǎo)的文化現(xiàn)象,后現(xiàn)代文化中既滲透著消費(fèi)文化又把其包涵其中,二者相生為利,無(wú)法分割。面對(duì)這樣的文化圖景,許多藝術(shù)家選擇把消費(fèi)社會(huì)的現(xiàn)成品與纖維結(jié)合去營(yíng)造隱喻空間。利用直觀、生動(dòng)、銳利的藝術(shù)表現(xiàn)方式去呈現(xiàn)社會(huì)文化問(wèn)題之所在。 第三章先就“文化數(shù)字化”的特征進(jìn)行分析,提出“混雜空間”的概念。在數(shù)字網(wǎng)絡(luò)的催化下,人們?cè)庥鲋拔幕瘮?shù)字化”的現(xiàn)實(shí)。虛擬現(xiàn)實(shí)與日常現(xiàn)實(shí)相互纏繞,空間消漲中充斥著被碎化的當(dāng)下。人們?cè)凇斑^(guò)度充實(shí)”的同時(shí)也被拋入現(xiàn)實(shí)的失落中,面對(duì)空洞的當(dāng)下。基于這樣的現(xiàn)實(shí)問(wèn)題,藝術(shù)家選擇擬像方式直呈或是虛置,以疏離的方式反思。 當(dāng)下在國(guó)內(nèi)外重要藝術(shù)展覽中,現(xiàn)成品與纖維結(jié)合的作品以其獨(dú)特的藝術(shù)表現(xiàn)力得到了關(guān)注與肯定。運(yùn)用大量現(xiàn)成品與纖維材料,以及與空間結(jié)合所展現(xiàn)的作品準(zhǔn)確的切入當(dāng)下問(wèn)題所在,并附于纖維與現(xiàn)成品藝術(shù)更新層面上的意義。
[Abstract]:Based on the research of fiber and space art, this paper discusses the new context of fiber and space art presented by the present finished product, as well as the rich implication of the present post-modern "hybrid space". For the use of existing finished products in fiber and space art and the exposition of their current significance, the article uses three chapters to prove and explain them one by one. Chapter one, put the use of existing finished products in fiber and space art into the history of development to discuss. In the following development, the two kinds of art forms are merged with each other with the help of the artistic concept of that time, and the special alienation space is produced. The second chapter analyzes the application of the finished product in fiber and space art, focusing on the cultural implication of the combination of fiber and finished product. Post-modern culture is the dominant cultural phenomenon. In the postmodern culture, consumer culture is permeated and included in it. The two are mutually beneficial and cannot be separated. In the face of such a cultural picture, Many artists choose to combine the existing products of consumer society with fiber to create metaphorical space and to present the social and cultural problems by means of visual vivid and sharp artistic expression. The third chapter analyzes the characteristics of "cultural digitization" and puts forward the concept of "hybrid space". Under the catalysis of digital network, people are confronted with the reality of "cultural digitization". Space is full of fragmented present. People are "overenriched" and thrown into the loss of reality. In the face of empty present, based on such realistic problems, artists choose the way of impersonation to be straight or false. To reflect in a distant way. At present, in the important art exhibition at home and abroad, the work of combining the present product and fiber has been paid attention to and affirmed by its unique artistic expression.Using a large number of existing finished products and fiber materials, And the work combined with the space to accurately cut into the current problem, and attached to the fiber and finished art level of the significance.
【學(xué)位授予單位】：中國(guó)美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類(lèi)號(hào)】：J524

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 魏欣欣;公共雕塑媒材應(yīng)用的生態(tài)性研究[D];江南大學(xué);2012年

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本文編號(hào)：1651187