本文選題：水彩畫　切入點：風格　出處：《東北師大學報(哲學社會科學版)》2017年04期 　論文類型：期刊論文

【摘要】：當代中國水彩畫發(fā)展進程中官方展覽具有不可替代的重要作用,在與水彩畫展相關的諸多因素中,展覽的評獎是最重要的方面。藝術的價值在于創(chuàng)造,具有轉型風格的作品在水彩畫發(fā)展進程中更加具有學術價值。不論是展覽評獎(美術批評),還是案例分析(美術本體研究)都在風格價值判斷這個點上交叉。在眾多研究美術作品形式風格的理論中,瑞士美術家海因里�！の譅柗蛄值睦碚摳咧笇б饬x。以他的形式風格分析方法為基礎,結合中國官方水彩畫展覽的典型作品案例,從風格特征的判斷、民族文化傳統(tǒng)的影響、作品時代背景等方面多角度、多維度進行解析,力圖使水彩畫風格的成因研究具有可依據(jù)的方法和理論支撐,從而為水彩畫創(chuàng)作和教學提供有效的方法和理論依據(jù)。
[Abstract]:The official exhibition plays an irreplaceable role in the development process of contemporary Chinese watercolor painting. Among the many factors related to the watercolor painting exhibition, the award of exhibition is the most important aspect. The value of art lies in creation. Works with transformational style have more academic value in the development of watercolor painting. Both exhibition awards (art criticism) and case study (art ontology study) are intersected in the judgment of style value. Among many theories that study the formal style of art works, The Swiss artist Heinrich Wolflin's theory is more instructive. Based on his formal style analysis method, combined with the typical examples of Chinese official watercolor exhibitions, judging the style characteristics and the influence of national cultural traditions, In order to provide effective methods and theoretical basis for the creation and teaching of watercolor painting, this paper tries to make the research on the origin of watercolor painting style have the method and theoretical support.
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本文編號：1626769