本文關(guān)鍵詞： 中國民間美術(shù) 克里姆特 繪畫 影響　出處：《河北師范大學(xué)》2010年碩士論文　論文類型：學(xué)位論文

【摘要】： 古斯塔夫·克里姆特是奧地利維也納分離派畫家。他的繪畫具有裝飾意味和象征主義的內(nèi)涵,作品融入中國民間美術(shù)的內(nèi)容和形式因素,由此取得了獨(dú)特的表現(xiàn)效果,是西方偉大的畫家之一。 19世紀(jì)下半葉,西方世界的哲學(xué)、科技、文學(xué)、藝術(shù)都發(fā)生了變化。因照相技術(shù)的產(chǎn)生,使藝術(shù)家傳統(tǒng)模仿自然的藝術(shù)觀念有了變化。恰好這時(shí)中國民間美術(shù)大量出現(xiàn)在西方,它的平面感、寫意性、表現(xiàn)性使西方藝術(shù)家大開眼界�？死锬诽氐睦L畫就融入了中國民間美術(shù)的內(nèi)容和形式,但是,他的繪畫并沒有完全照搬,他是把歐洲繪畫的人物表現(xiàn)方式與中國民間美術(shù)的抽象形式完美的結(jié)合在一起,才形成了有裝飾特色的繪畫。所以說,中國民間美術(shù)對克里姆特的繪畫產(chǎn)生了影響。西方繪畫發(fā)展到今天是受到東方藝術(shù)的影響,一定意義上講,也是藝術(shù)發(fā)展的必然。 本論文的研究目的是了解西方藝術(shù)發(fā)展過程中,中國民間美術(shù)對西方藝術(shù)產(chǎn)生的影響;以西方畫家克里姆特為例,了解中國民間美術(shù)對克里姆特的影響,以及東、西方藝術(shù)發(fā)展中的相互作用。 通過研究中國民間美術(shù)對克里姆特繪畫產(chǎn)生的影響,使我們更好的認(rèn)識到,藝術(shù)的“借鑒”與“創(chuàng)新”的關(guān)系。也提醒我們,在向西方藝術(shù)學(xué)習(xí)研究的同時(shí),也應(yīng)該看到中國藝術(shù)也曾經(jīng)給予過西方不可忽視的影響。使我們在學(xué)習(xí)西方藝術(shù)時(shí),避免陷入盲目,更不能對本民族妄自菲薄。
[Abstract]:Gustav Klimt is a separatist painter in Vienna, Austria. His paintings have the connotation of decoration and symbolism, and their works integrate into the content and form factors of Chinese folk art, thus achieving a unique effect. It is one of the great painters in the West.
The second half of the nineteenth Century, western philosophy, science, literature, art has changed. Due to photography, the artist of traditional concepts of art imitating nature has changed. When China folk art appeared in the west, it is flat, freehand, performance of the eye-opening western artists Krim's paintings. The integration of the content and form of folk art, China but his painting did not completely copy, he is the abstract form of European painting characters and China folk art together, to form a decorative feature of the painting. Therefore, painting China folk art on Krim's influence the development of Western painting. Today is influenced by Oriental Art, in a sense, is the inevitable development of the arts.
The purpose of this paper is to understand the influence of Chinese folk art on Western art in the process of Western art development. Take western painter Krim as an example to understand the influence of Chinese folk art on Krim and the interaction between eastern and Western art development.
By studying the effects of China folk art on Krim's painting, so that we better understand the art of "drawing" and "innovation". Also reminds us that learning to the study of Western art at the same time, should also see the influence of Chinese art has been given to the west can not be ignored. So we are study western art, to avoid the blind, not of the nation improperly belittle oneself.

【學(xué)位授予單位】：河北師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：J205

【引證文獻(xiàn)】

相關(guān)期刊論文 前1條

1 詹玉軒;;淺析克里姆特作品內(nèi)容的哲理性和畫面的裝飾性[J];數(shù)位時(shí)尚(新視覺藝術(shù));2012年02期

，

本文編號：1517278