本文關(guān)鍵詞： 漸入 漆境 未來(lái) 當(dāng)代 藝術(shù) 現(xiàn)狀 展望　出處：《南京藝術(shù)學(xué)院學(xué)報(bào)(美術(shù)與設(shè)計(jì)版)》2013年01期 　論文類型：期刊論文

【摘要】：正2012年12月1日,"第三屆南京漆畫(huà)展"在南京藝術(shù)學(xué)院美術(shù)館正式開(kāi)幕,展覽上許多成熟的漆藝家和年輕的作者同臺(tái)展覽。如管中窺豹般,我欣喜的讀覽到目前中國(guó)大漆藝術(shù)的現(xiàn)狀,同時(shí)也沉浸在對(duì)未來(lái)漆藝術(shù)的思考和展望中。就在今年,當(dāng)我得知杭州市蕭山區(qū)跨湖橋博物館對(duì)外公布在跨湖橋遺址出土的八千年前的獨(dú)木舟上竟有一塊用大漆修補(bǔ)的窟窿時(shí),我啞然了——如何對(duì)待一種自身文化那么強(qiáng)大,沉淀時(shí)間那么冗長(zhǎng)的的材料?大漆竟比我們所知的存在又往前推進(jìn)一千年,它古老得幾乎讓我們不知所措,尤是當(dāng)我們?cè)诳裢仄髨D用當(dāng)代人的力量去賦予它再生的能力之后。謙卑和感恩的停下來(lái),思考我們的立場(chǎng)和堅(jiān)持,堅(jiān)持一塊材質(zhì)的陣地,拒絕一些勉強(qiáng)的
[Abstract]:December 1, 2012, "the third Nanjing paint exhibition was officially opened at the Nanjing Arts Institute Museum of art exhibition, many mature and young writers with lacquer art exhibition. Like I am pleased to see only a small part, reading to the present situation of China lacquer art, but also immersed in the future lacquer art thinking and outlook on. When I learned that this year, Xiaoshan District of Hangzhou City Lake Bridge Museum announced unearthed in the ruins of Kuahu Bridge eight thousand years ago was a canoe with lacquer repair hole, I was dumbfounded, how to treat a self culture so powerful, so long settling time than lacquer material? We know the existence of forward one thousand years old, it almost let us especially when we are at a loss, after arrogantly attempts to use contemporary people power to give its ability to sense humility and regeneration. He stopped, thought about our position and perseverance, insisted on a piece of material position, and refused some reluctance.

【作者單位】： 中國(guó)美術(shù)學(xué)院;
【分類號(hào)】：J213.9
【正文快照】： 2012年12月1日,“第三屆南京漆畫(huà)展”在南京藝術(shù)學(xué)院美術(shù)館正式開(kāi)幕,展覽上許多成熟的漆藝家和年輕的作者同臺(tái)展覽。如管中窺豹般,我欣喜的讀覽到目前中國(guó)大漆藝術(shù)的現(xiàn)狀,同時(shí)也沉浸在對(duì)未來(lái)漆藝術(shù)的思考和展望中。就在今年,當(dāng)我得知杭州市蕭山區(qū)跨湖橋博物館對(duì)外公布在跨湖，

本文編號(hào)：1441921